Home Linguistics & Semiotics The role of structures in semiotic systems: Analysis of some ideas of Leonardo da Vinci and the portrait Lady with an Ermine
Article
Licensed
Unlicensed Requires Authentication

The role of structures in semiotic systems: Analysis of some ideas of Leonardo da Vinci and the portrait Lady with an Ermine

  • Georgij Yu. Somov
Published/Copyright: November 10, 2008
Semiotica
From the journal Volume 2008 Issue 172

Abstract

The formation of all sign systems is based on structures. Structures support the functioning of codes and organization of denotations, connotations, and groups of signs of visual art works. Due to codes, structure interrelations are manifested in characteristics, relations, differences-identities, and groups of elements, forming the structure of an art work. This role of structures was examined in the frames of theoretical ideas of antiquity and Renaissance. Its most complete application to the visual art is manifested in the ideas by Leonardo da Vinci. Developed structures organizing sign systems are illustrated by the analysis of Lady with an Ermine.

Published Online: 2008-11-10
Published in Print: 2008-October

© 2008 by Walter de Gruyter GmbH & Co. KG, D-10785 Berlin

Articles in the same Issue

  1. Théorie du récit et sémiotique: apport d'A. J. Greimas et nouvelles propositions
  2. Comments regarding Charles Sanders Peirce's notion of consciousness, abduction, and the hypo-icon metaphor
  3. Purification of medical terms in Turkish: A study on the significance of mother tongue for language and thought
  4. Terminological equivalence in legal translation: A semiotic approach
  5. Dissent and environmental communication: A semiotic approach
  6. From frontrunners, to paper dolls, to fiends: Semiotic analyses of premeditated teacher images
  7. Wittgenstein as Mastersinger
  8. Ambiguity and metaphor
  9. Emotion and community in a semeiotic perspective
  10. Saussure and the elusive question of the origin
  11. Towards applied semiotics: An analysis of iconic gestural signs regarding physics teaching in the light of theatre semiotics
  12. Resistance and rescue in Beauvoir's The Blood of Others and The Mandarins: A semiotic contribution to the thinking of the ‘being-for-other’ existential category
  13. Communication resources and the consequences of linguistic censorship
  14. Whewell's metaphorical usage of light and the ultimate reality underlying it
  15. What do the ten commandments do? A study of lawyers' semiotics
  16. Narcissus in language: A semiotic contrast of natural and computer language through self-reference
  17. Multi safe compound constructions: A reply to Anders Søgaard
  18. On the linguistic expression of subjectivity: Towards a sign-centered approach
  19. Semiotics and ancient history
  20. Textual mapping of imitation and intertextuality in college and university mission statements: A new institutional perspective
  21. Catchments, growth points, and the iterability of signs in classroom communication
  22. The role of structures in semiotic systems: Analysis of some ideas of Leonardo da Vinci and the portrait Lady with an Ermine
  23. Biosemiotics: Protoscience, interdiscipline, new biology
  24. Understanding natural constructivism
Downloaded on 25.2.2026 from https://www.degruyterbrill.com/document/doi/10.1515/SEMI.2008.106/html
Scroll to top button