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Narrative and ontology in Hesiod's Homeric Hymn to Demeter: A catastrophist approach

  • James Carney

    His research interests include narrative theory, Romantic literature, Anglo-Irish literature, and mathematical approaches to literary modelling. His publications include ‘The buzzing of B: The subject as insect in Beckett's Molloy’ (2007); and ‘“Gifts of heaven — things of earth”: Haunting and exchange in Conrad's “Karain: A Memory”’ (in press).

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Published/Copyright: December 4, 2007
Semiotica
From the journal Volume 2007 Issue 167

Abstract

This article develops a model of narrative reference by showing that the organization of meaning in narrative is congruent with the structure of space and time. In making this connection, the article's principal methodological tool is mathematical catastrophe theory. Specifically, it is shown that narratives like Hesiod's Homeric Hymn to Demeter can be construed as hypersurfaces that permit a number of critical transformations between stable regions of thematic value. It is argued that this approach is superior to cognitivist theories of reference because it avoids the vicious circle of displacing the referential function of narrative on to psychic schemas that have themselves a narrative structure.

About the author

James Carney

His research interests include narrative theory, Romantic literature, Anglo-Irish literature, and mathematical approaches to literary modelling. His publications include ‘The buzzing of B: The subject as insect in Beckett's Molloy’ (2007); and ‘“Gifts of heaven — things of earth”: Haunting and exchange in Conrad's “Karain: A Memory”’ (in press).

Published Online: 2007-12-04
Published in Print: 2007-11-20

© Walter de Gruyter

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