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Eye on Picasso
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José Sanjinés
His research interests include intersemiosis, semiotics of cinema, and Latin American literature. His recent publications include ‘Memory's flexible frames: Autocommunication in the art form of memoir’ (2002); ‘Afterthought on silence: Towards a poetics of self-communication’ (2005); ‘Baroque-shores of
The Island of the Day Before ’ (2005); and ‘Blow-up : A house with many stories’ (2005).
Published/Copyright:
December 4, 2007
Published Online: 2007-12-04
Published in Print: 2007-11-20
© Walter de Gruyter
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Articles in the same Issue
- Plant names and folk taxonomies: Frameworks for ethnosemiotic inquiry
- Towards a grande paradigmatique of film: Christian Metz reloaded
- Umwelt, milieu(x), and environment: A survey of cross-cultural concept mutations
- Bridging theories: A logical-functional perspective on languages
- The ‘handles’ and ‘sides’ of metaphor
- Here is the author! Hyperlinks as constitutive rules of hypertextual communication
- Race, pigskin, and politics: A semiotic analysis of racial images in political advertising
- The serpent's egg: Communication and the bio-semiotics of image making
- Semiotic interpretations of biological mimicry
- Symbol-intertextuality-deconstruction (on the dialectic of stability and variability of concept and symbol)
- Analyse paradigmatique d'un corpus de proverbes à l'aide des matrices de concepts
- Semiotic silence: Its use as a conflictmanagement strategy in intimate relationships
- Peirce on categories: Towards a metaphysical foundation of pragmatics
- Narrative and ontology in Hesiod's Homeric Hymn to Demeter: A catastrophist approach
- Traveling and family in the 1970s British circus
- Structures and semiotic systems
- Eye on Picasso
