Story (first order predicate) logic
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Göran Rossholm
His research interests include theory of interpretation, semiotics, and narratology. His publications include
To Be and Not to Be: On Interpretation, Iconicity and Fiction (2004); andEssays on Fiction and Perspective (ed., 2004).
Abstract
This article is an attempt to clarify the idea that narratives cohere by representing stories. Stories are causally related in the way proposed by Noël Carroll, i.e., the events and states constitute necessary conditions or sufficient conditions or INUS-conditions of each other. Then, a general concept of propositional coherence is suggested. It is based on Nelson Goodman's and Joseph Ullian's ideas about unitary formulas. Narrative coherence is defined as the propositional understanding of a text (in the wide sense, including non-verbal narratives) that constitutes one unitary string built upon conditional relations, i.e., relations between individuals matching Carroll's types of conditions.
About the author
His research interests include theory of interpretation, semiotics, and narratology. His publications include To Be and Not to Be: On Interpretation, Iconicity and Fiction (2004); and Essays on Fiction and Perspective (ed., 2004).
© Walter de Gruyter
Articles in the same Issue
- Preface
- Diagramming narrative
- The new literary semiotics
- The contributions of Peirce's philosophical disciplines to literary studies
- Literary practice on the immediate horizon of the elaboration of semiotics: Peirce's meetings with a few great authors
- The making of the literary symbol: Taking note of Langer
- A semiotic definition of literary discourse
- Semiosis, art, and literature
- Story (first order predicate) logic
- Narrative self-reference in a literary comic: M.-A. Mathieu's L'Origine
- Recontextualizing character: Role-theoretic frameworks for narrative analysis
- Universal minds
- Reconsidering the unreliable narrator
- The cognitive import of the narrative schema
- The story turned upside down: Meaning effects linked to variations on narrative structure
- The role of Vorstellung in literary semantics
- Action between plot and discourse
- Perception already stylizes: On phenomenological semiotics
- Literary semiotics and cognitive semantics
- The representation of consciousness in language and fiction: A cognitive theory of enunciation
- Laughing brains: On the cognitive mechanisms and reproductive functions of mirth
Articles in the same Issue
- Preface
- Diagramming narrative
- The new literary semiotics
- The contributions of Peirce's philosophical disciplines to literary studies
- Literary practice on the immediate horizon of the elaboration of semiotics: Peirce's meetings with a few great authors
- The making of the literary symbol: Taking note of Langer
- A semiotic definition of literary discourse
- Semiosis, art, and literature
- Story (first order predicate) logic
- Narrative self-reference in a literary comic: M.-A. Mathieu's L'Origine
- Recontextualizing character: Role-theoretic frameworks for narrative analysis
- Universal minds
- Reconsidering the unreliable narrator
- The cognitive import of the narrative schema
- The story turned upside down: Meaning effects linked to variations on narrative structure
- The role of Vorstellung in literary semantics
- Action between plot and discourse
- Perception already stylizes: On phenomenological semiotics
- Literary semiotics and cognitive semantics
- The representation of consciousness in language and fiction: A cognitive theory of enunciation
- Laughing brains: On the cognitive mechanisms and reproductive functions of mirth
