Representations of Political Corruption in 18th-century Literature
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Gerd Stratmann
Abstract
New forms of political corruption had apparently become an indispensable part of 18th-century constitutional practice in Britain – with the government (or ‘the crown’) buying the necessary parliamentary majorities and the City bribing court officials and members of the Commons. A passionate public debate, running all through the century, tried to make sense of this unacceptable situation. Literature became an important participant in this sense-making process – by developing imageries and exemplary emplotments, poets, satirists and playwrights made a disturbing phenomenon of everyday politics emotionally more plausible. As the ‘new’ political scientists have told us, the “division between the corrupt and the non-corrupt is exclusively on the level of perception” (Bratsis) – is, in other words, a construction. Accordingly, 18th-century authors offered various and very different constructs. While the traditionalists continued to interpret political corruption as an epidemic variety of moral decay, the more ‘modern’ texts saw it in structural terms: either as an invasion of private integrity by dirty politics, e. g. in the metaphoric terms of sexual seduction and defloration, or, conversely, as the contamination of the public sphere by cynically commercial interests (“‘tis the King and Country's bought and sold”, The Candidate).
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- Kevin Gilmartin, Writing Against Revolution: Literary Conservatism in Britain, 1790–1832
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- Anette Pankratz, “Death is … not”: Repräsentationen von Tod und Sterben im zeitgenössischen britischen Drama
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- The Cambridge Companion to Margaret Atwood, ed. Coral Anne Howells
- Gabriele Rippl, Beschreibungs-Kunst: Zur intermedialen Poetik angloamerikanischer Ikontexte (1880–2000)
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- Susanne Hagemann, Feminism and Territoriality: A Bifocal Case Study of Literary Irelands
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Artikel in diesem Heft
- Politik und Mythos: Das Heroische Sonett
- The Island of Doctor Moreau: H. G.Wells Seen from the Byronic Perspective
- Towards a Poetics of Liminality in “this space between spaces”: The Shore Lines of Contemporary American Poetry
- “Slightly Quixotic”: Comic Strategies, Sexual Role Stereotyping and the Functionalization of Femininity in David Lodge's Trilogy of Campus Novels under Special Consideration of Nice Work (1988)
- Representations of Political Corruption in 18th-century Literature
- Laurel J. Brinton & Elizabeth Closs Traugott, Lexicalization and Language Change
- Peter Trudgill, New-Dialect Formation: The Inevitability of Colonial Englishes
- Joybrato Mukherjee, English Ditransitive Verbs: Aspects of Theory, Description and a Usage-based Model
- Nineteenth-Century English. Stability and Change, ed. Merja Kytö, Mats Rydén & Erik Smitterberg
- Ute Dons, Descriptive Adequacy of Early Modern English Grammars
- Mechthild Gretsch, Ælfric and the Cult of Saints in Late Anglo-Saxon England
- The Medieval Mystical Tradition in England: Exeter Symposium VII. Papers Read at Charney Manor, July 2004, ed. E. A. Jones
- George Gissing, Eve's Ransom/Il riscatto di Eva; George Gissing, Sulla riva dello Jonio; George Gissing a Catanzaro: Atti del Convegno Internazionale di Studi, Catanzaro 23 ottobre 1999; Francesco Badolato, La Calabria vista de tre illustri viaggiatori; Francesco Badolato, George Gissing: Romanziere del tardo periodo vittoriano; Simon J. James, Unsettled Accounts: Money and the Narrative in the Novels of George Gissing; James Haydock, Portraits in Charcoal: George Gissing's Women; Christine DeVine, Class in Turn-of-the-Century Novels of Gissing, James, Hardy and Wells; Gissing and the City: Cultural Crisis and the Making of Books in Late Victorian England, ed. John Spiers; Emma Liggins, George Gissing, the Working Women, and Urban Culture; Barbara Rawlinson, A Man of Many Parts: Gissing's Short Stories, Essays and Other Works
- Bettina Boecker, Shakespeares elisabethanisches Publikum: Formen und Funktionen einer Fiktion der Shakespearekritik und -forschung
- Kevin Gilmartin, Writing Against Revolution: Literary Conservatism in Britain, 1790–1832
- Fashioning Childhood in the Eighteenth Century: Age and Identity, ed. Anja Müller
- Anette Pankratz, “Death is … not”: Repräsentationen von Tod und Sterben im zeitgenössischen britischen Drama
- Katharina Uhsadel, Antonia Byatts “Quartet” in der Tradition des englischen Bildungsromans
- Catrin Siedenbiedel, Metafiktion in Finnegans Wake: Das Weibliche als Prinzip selbstreflexiven Erzählens bei James Joyce
- The Cambridge Companion to Margaret Atwood, ed. Coral Anne Howells
- Gabriele Rippl, Beschreibungs-Kunst: Zur intermedialen Poetik angloamerikanischer Ikontexte (1880–2000)
- Peter Hühn & Jens Kiefer, The Narratological Analysis of Poetry: Studies in English Poetry from the 16th to the 20th Century
- Why Plato? Platonism in Twentieth Century English Literature, ed. Daniela Carpi
- Shakespeare's Legacy: The Appropriation of the Plays in Post-Colonial Drama, ed. Norbert Schaffeld
- Susanne Hagemann, Feminism and Territoriality: A Bifocal Case Study of Literary Irelands
- Gedächtniskonzepte der Literaturwissenschaft: Theoretische Grundlagen und Anwendungsperspektiven, eds. Astrid Erll & Ansgar Nünning
- Eingegangene Schriften