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Douglass Seaton
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Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- List of Tables ix
- List of Music Examples xi
- Acknowledgments xv
- Preface xvii
- Chapter 1 Hearing Voices 1
- Chapter 2 The Voice of the Genius 31
- Chapter 3 Nonchronological Narrative in the Song Cycle 57
- Chapter 4 Prima Donna or Composer 83
- Chapter 5 Onstage and Off 95
- Chapter 6 The Voice and the Listener 115
- Chapter 7 The Poet Speaks in the Song Cycle 137
- Chapter 8 Feminine Voices in Instrumental Music 153
- Chapter 9 Finding a Voice in the Symphony 179
- Chapter 10 Traveler and Pilgrim 197
- Chapter 11 “The Real Author of the Drama” 217
- Chapter 12 The Painter Sings 237
- Chapter 13 Representing the Narrator’s Voice 249
- Chapter 14 Recognizing Romantic Voices 265
- Notes 273
- Bibliography 329
- Index 349
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- List of Tables ix
- List of Music Examples xi
- Acknowledgments xv
- Preface xvii
- Chapter 1 Hearing Voices 1
- Chapter 2 The Voice of the Genius 31
- Chapter 3 Nonchronological Narrative in the Song Cycle 57
- Chapter 4 Prima Donna or Composer 83
- Chapter 5 Onstage and Off 95
- Chapter 6 The Voice and the Listener 115
- Chapter 7 The Poet Speaks in the Song Cycle 137
- Chapter 8 Feminine Voices in Instrumental Music 153
- Chapter 9 Finding a Voice in the Symphony 179
- Chapter 10 Traveler and Pilgrim 197
- Chapter 11 “The Real Author of the Drama” 217
- Chapter 12 The Painter Sings 237
- Chapter 13 Representing the Narrator’s Voice 249
- Chapter 14 Recognizing Romantic Voices 265
- Notes 273
- Bibliography 329
- Index 349