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1. Is Femininity Hard? Naming Femininities in the Age of Soft Masculinity
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Kate Korroch
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Figures vii
- Tables viii
- Acknowledgments ix
- Note on Romanization x
- Introduction: Femininities and the Korean Wave 1
-
Part I: Characters We Love
- 1. Is Femininity Hard? Naming Femininities in the Age of Soft Masculinity 13
- 2. Tomboy in Love: Korean and US Views of Heterosexual Eroticism in the K-Drama First Shop of Coffee Prince 34
- 3. Miss Kim: God of the Workplace 54
-
Part II: More than Girl Groups
- 4. Ella Gross and Child Social Media Stars: Rising to Fame through K-Pop Idol Trainee Systems, Mixed-Raceness, and Tabloid Cycle Controversies 69
- 5. Girl Groups in Uniform: Moranbong Band and the Staging of NK-Pop in and out of North Korea 95
- 6. Ssen-Unni in K-Pop: The Making of “Strong Sisters” in South Korea 116
-
Part III: Fans and Fan-Producers
- 7. Alpeseu (RPS) and Business Gay Performance in the Korean K-Pop World 135
- 8. Females, Frontliners, Fringes: K-Pop’s Performers and Protesters from Southeast Asia 156
- 9. Riding the Korean Wave in Iran: Cyberfeminism and Pop Culture among Young Iranian Women 176
- 10. Into the New World: From the Objectification to the Empowerment of Girls’ Generation 201
- Notes on the Contributors 229
- Index 233
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Figures vii
- Tables viii
- Acknowledgments ix
- Note on Romanization x
- Introduction: Femininities and the Korean Wave 1
-
Part I: Characters We Love
- 1. Is Femininity Hard? Naming Femininities in the Age of Soft Masculinity 13
- 2. Tomboy in Love: Korean and US Views of Heterosexual Eroticism in the K-Drama First Shop of Coffee Prince 34
- 3. Miss Kim: God of the Workplace 54
-
Part II: More than Girl Groups
- 4. Ella Gross and Child Social Media Stars: Rising to Fame through K-Pop Idol Trainee Systems, Mixed-Raceness, and Tabloid Cycle Controversies 69
- 5. Girl Groups in Uniform: Moranbong Band and the Staging of NK-Pop in and out of North Korea 95
- 6. Ssen-Unni in K-Pop: The Making of “Strong Sisters” in South Korea 116
-
Part III: Fans and Fan-Producers
- 7. Alpeseu (RPS) and Business Gay Performance in the Korean K-Pop World 135
- 8. Females, Frontliners, Fringes: K-Pop’s Performers and Protesters from Southeast Asia 156
- 9. Riding the Korean Wave in Iran: Cyberfeminism and Pop Culture among Young Iranian Women 176
- 10. Into the New World: From the Objectification to the Empowerment of Girls’ Generation 201
- Notes on the Contributors 229
- Index 233