Shaping Film Festivals In a Changing World
-
Herausgegeben von:
Dorota Ostrowska
und Tamara Falicov
Information zu Autoren / Herausgebern
Dorota Ostrowska is a senior lecturer in film and modern media at Birkbeck, University of London. She has written extensively about Polish and French film and TV histories, and film festival cultures. She is the author of Reading the French new wave: critics, writers and art cinema in France (2008), European Cinemas in the Television Age (co-edited with G. Roberts, 2007), Popular cinemas in Central and Eastern Europe: film cultures and histories (co-edited with F. Pitassio and Z. Varga, 2017). She is working on a monograph on the cultural history of international film festivals with special focus on questions of space, programming and spectatorial experience.Falicov Tamara :
Tamara L. Falicov is the inaugural dean of the UMKC School of Humanities and Social Sciences and author of Latin American Film Industries and The Cinematic Tango: Contemporary Argentine Film. Her research interests range from Latin American film festival research to assisting medical researchers in understanding language and culture in the treatment of Latinx patients and families.
Fachgebiete
-
PDF downloadenÖffentlich zugänglich
Frontmatter
1 -
PDF downloadenÖffentlich zugänglich
Table of Contents
5 -
PDF downloadenOpen Access
Acknowledgments
9 -
PDF downloadenOpen Access
Introduction
11 - Part 1 Archival Turn
-
PDF downloadenOpen Access
Practitioner Talks 1. The Red and the Black : The State and the Privateers, Different Approaches to Organizing Film Festivals
31 -
PDF downloadenOpen Access
2. Archival Research and Festival Studies’ Historiographical Narratives
41 -
PDF downloadenOpen Access
3. Film Festivals as Affective Economies : Methodologies for Following Buzz as Film Festival Affect
57 -
PDF downloadenOpen Access
Practitioner Talks 4. Film Preservation, Archives, and Film Festivals in Latin America
67 - Part 2 Decolonizing Film Festival Studies: Practice-Based/Practice-Led and Collaborative Methodologies
-
PDF downloadenOpen Access
5. Positionality, Immersive Methodology, and Collaboration in Film Festival Research
81 -
PDF downloadenOpen Access
6. Immersion, Reflection, Triangulation : Festival Research Methods in Small and Precarious Cinemas
97 -
PDF downloadenOpen Access
Practitioner Talks 7. Providing Needed Space for Caribbean and Diaspora Filmmakers in Miami
113 -
PDF downloadenOpen Access
8. On Studying Film Festivals and Migration: Borderlands and Beginnings
117 -
PDF downloadenOpen Access
9. Unraveling Curatorial Dilemmas : Practice-Led and Auto-Ethnography in the Study of Human Rights Film Festivals
135 - Part 3 Post-COVID-19 and Film Festival Studies
-
PDF downloadenOpen Access
Practitioner Talks 10. Programming under COVID-19: London Film Festival 2020
151 -
PDF downloadenOpen Access
11. Steps to a Greener Film Festival Studies : A Multidisciplinary Subfield and the Environmentalist Turn
165 -
PDF downloadenOpen Access
Practitioner Talks 12. Festivals Must Not Only Nurture Audiences : They Must Create Them Too
179 -
PDF downloadenOpen Access
13. Tell Me Why You Care? Film Festival Cultures, Ethics, and Aesthetics of Care
185 -
PDF downloadenOpen Access
Practitioner Talks 14. Film Festivals in the Time of COVID-19: A Programmer’s Perspective
199 - Part 4 Data Visualization and Film Festival Research and Practice
-
PDF downloadenOpen Access
15. Studying Film Circulation : Moving Film Festival Research to an Evidence- Based, Global Perspective
211 -
PDF downloadenOpen Access
16. From the Field to the Database : Combining Methods in Film Festival Research
229 -
PDF downloadenOpen Access
17. Independent Film and the US Festival Circuit
251 -
PDF downloadenOpen Access
Bibliography
269 -
PDF downloadenOpen Access
Index
295