Shaping Film Festivals In a Changing World
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Edited by:
Dorota Ostrowska
and Tamara Falicov
Author / Editor information
Dorota Ostrowska is a senior lecturer in film and modern media at Birkbeck, University of London. She has written extensively about Polish and French film and TV histories, and film festival cultures. She is the author of Reading the French new wave: critics, writers and art cinema in France (2008), European Cinemas in the Television Age (co-edited with G. Roberts, 2007), Popular cinemas in Central and Eastern Europe: film cultures and histories (co-edited with F. Pitassio and Z. Varga, 2017). She is working on a monograph on the cultural history of international film festivals with special focus on questions of space, programming and spectatorial experience.Falicov Tamara :
Tamara L. Falicov is the inaugural dean of the UMKC School of Humanities and Social Sciences and author of Latin American Film Industries and The Cinematic Tango: Contemporary Argentine Film. Her research interests range from Latin American film festival research to assisting medical researchers in understanding language and culture in the treatment of Latinx patients and families.
Topics
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Frontmatter
1 -
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Table of Contents
5 -
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Acknowledgments
9 -
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Introduction
11 - Part 1 Archival Turn
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Practitioner Talks 1. The Red and the Black : The State and the Privateers, Different Approaches to Organizing Film Festivals
31 -
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2. Archival Research and Festival Studies’ Historiographical Narratives
41 -
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3. Film Festivals as Affective Economies : Methodologies for Following Buzz as Film Festival Affect
57 -
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Practitioner Talks 4. Film Preservation, Archives, and Film Festivals in Latin America
67 - Part 2 Decolonizing Film Festival Studies: Practice-Based/Practice-Led and Collaborative Methodologies
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5. Positionality, Immersive Methodology, and Collaboration in Film Festival Research
81 -
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6. Immersion, Reflection, Triangulation : Festival Research Methods in Small and Precarious Cinemas
97 -
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Practitioner Talks 7. Providing Needed Space for Caribbean and Diaspora Filmmakers in Miami
113 -
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8. On Studying Film Festivals and Migration: Borderlands and Beginnings
117 -
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9. Unraveling Curatorial Dilemmas : Practice-Led and Auto-Ethnography in the Study of Human Rights Film Festivals
135 - Part 3 Post-COVID-19 and Film Festival Studies
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Practitioner Talks 10. Programming under COVID-19: London Film Festival 2020
151 -
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11. Steps to a Greener Film Festival Studies : A Multidisciplinary Subfield and the Environmentalist Turn
165 -
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Practitioner Talks 12. Festivals Must Not Only Nurture Audiences : They Must Create Them Too
179 -
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13. Tell Me Why You Care? Film Festival Cultures, Ethics, and Aesthetics of Care
185 -
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Practitioner Talks 14. Film Festivals in the Time of COVID-19: A Programmer’s Perspective
199 - Part 4 Data Visualization and Film Festival Research and Practice
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15. Studying Film Circulation : Moving Film Festival Research to an Evidence- Based, Global Perspective
211 -
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16. From the Field to the Database : Combining Methods in Film Festival Research
229 -
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17. Independent Film and the US Festival Circuit
251 -
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Bibliography
269 -
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Index
295