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Amsterdam University Press
Buch
Open Access
The Red Years of Cahiers du cinéma (1968-1973)
Volume I, Ideology and Politics
Sprache:
Englisch
Veröffentlicht/Copyright:
2021
Information zu Autoren / Herausgebern
Fairfax Daniel :
Daniel Fairfax is Assistant Professor of Film Studies at the Goethe-Universität Frankfurt and an editor of the online film journal Senses of Cinema.
Rezensionen
"Daniel Fairfax’s book is an impressive work that casts new light on the history of Cahiers du cinéma. Thanks to exhaustive archival research, Fairfax re-establishes the coherent yet complex trajectory of the journal. It is an exemplary study: the outcome of true dedication, astute critical sensibility and a great passion for film."
- Francesco Casetti, Yale University
"During its 'red years,' the core contributors to Cahiers du cinéma rethought cinema in ways that have had lasting influence for contemporary film studies. This is an extraordinarily comprehensive work that not only yields a tremendous amount of information and theoretical nuance, but also offers new ways of understanding Cahiers in its Marxist phase."
- Philip Rosen, Brown University
Listen to author Daniel Fairfax in conversation with Annie Berke, the Film Editor of the Los Angeles Review of Books, on the New Books in Film podcast: https://open.spotify.com/episode/2yh5YCxk3ChglwhdSHZYZr
- Francesco Casetti, Yale University
"During its 'red years,' the core contributors to Cahiers du cinéma rethought cinema in ways that have had lasting influence for contemporary film studies. This is an extraordinarily comprehensive work that not only yields a tremendous amount of information and theoretical nuance, but also offers new ways of understanding Cahiers in its Marxist phase."
- Philip Rosen, Brown University
Listen to author Daniel Fairfax in conversation with Annie Berke, the Film Editor of the Los Angeles Review of Books, on the New Books in Film podcast: https://open.spotify.com/episode/2yh5YCxk3ChglwhdSHZYZr
Fachgebiete
-
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Frontmatter
1 -
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Table of Contents
5 -
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Acknowledgements
9 -
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A Note on Translations
11 -
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Introduction
13 - Part I. Theories of Ideology
-
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Introduction
39 -
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1. “Cinéma/Idéologie/Critique”: An Epistemological Break?
45 -
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2. Jean-Louis Comolli and Jean Narboni: Crossed Lives
71 -
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3. Décalages: “Young Mr. Lincoln de John Ford”
95 -
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3. Décalages: “Young Mr. Lincoln de John Ford”
125 -
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5. “Technique et Idéologie” by Jean-Louis Comolli
149 -
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6. Afterlives of the Apparatus
175 - Part II. Engagements with Politics
-
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Introduction
199 -
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7. The Radicalization of Cahiers: 1963–1969
207 -
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8. Cahiers du cinéma and the Rapprochement with the PCF: 1969–1971
237 -
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9. Cahiers du cinéma’s Turn to Maoism: 1971–1973
269 -
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10. Cahiers du cinéma and Jean-Luc Godard
297 -
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11. Cahiers du cinéma in the “Postgauchiste” Era: 1973-1981
325 -
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12. Bernard Eisenschitz: Cinema, Communism and History
359 -
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13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema
385
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
6. Dezember 2021
eBook ISBN:
9789048543908
Seiten und Bilder/Illustrationen im Buch
Inhalt:
414
eBook ISBN:
9789048543908
Schlagwörter für dieses Buch
AUP Wetenschappelijk; Contemporary History; Film Studies; Film; Media; and Communication; Philosophy and Ethics; Sociology and Social History; South
Zielgruppe(n) für dieses Buch
Professional and scholarly;
Creative Commons
BY-NC-ND 4.0