Chapters in this book

1. Frontmatter 1
2. Table of Contents 5
3. Acknowledgements 9
4. A Note on Translations 11
5. Introduction 13
6. Part I. Theories of Ideology
7. Introduction 39
8. 1. “Cinéma/Idéologie/Critique”: An Epistemological Break? 45
9. 2. Jean-Louis Comolli and Jean Narboni: Crossed Lives 71
10. 3. Décalages: “Young Mr. Lincoln de John Ford” 95
11. 3. Décalages: “Young Mr. Lincoln de John Ford” 125
12. 5. “Technique et Idéologie” by Jean-Louis Comolli 149
13. 6. Afterlives of the Apparatus 175
14. Part II. Engagements with Politics
15. Introduction 199
16. 7. The Radicalization of Cahiers: 1963–1969 207
17. 8. Cahiers du cinéma and the Rapprochement with the PCF: 1969–1971 237
18. 9. Cahiers du cinéma’s Turn to Maoism: 1971–1973 269
19. 10. Cahiers du cinéma and Jean-Luc Godard 297
20. 11. Cahiers du cinéma in the “Postgauchiste” Era: 1973-1981 325
21. 12. Bernard Eisenschitz: Cinema, Communism and History 359
22. 13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema 385