Chapter
Open Access
7. Advertising’s Self-Reference: From Early Cinema to the Super Bowl
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Yvonne Zimmermann
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Introduction 7
- 1. Early Cinema, Process Films, and Screen Advertising 21
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Part I Approaches and Methods
- 2. Advertising and Modernity: A Critical Reassessment 51
- 3. Advertising and Avant-Gardes: A History of Concepts, 1930–1940 77
- 4. Advertising as Institution: Charles Wilp and German Television, 1950– 1970 113
- 5. Advertising and the Apparatus : Cinema, Television, and Out-of-Home Screens 155
- 6. Advertising as Commercial Speech: Truth and Trademarks in Testimonial Advertising 195
- 7. Advertising’s Self-Reference: From Early Cinema to the Super Bowl 215
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Part II Cases and Materials
- 8. Moving Objects: The Case of Volvo 245
- 9. Cinematic Intertexts: h&m Goes YouTube 269
- 10. Beyond Promotion: The UN Global Goal Campaign 291
- Select Bibliography 315
- Index 333
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Introduction 7
- 1. Early Cinema, Process Films, and Screen Advertising 21
-
Part I Approaches and Methods
- 2. Advertising and Modernity: A Critical Reassessment 51
- 3. Advertising and Avant-Gardes: A History of Concepts, 1930–1940 77
- 4. Advertising as Institution: Charles Wilp and German Television, 1950– 1970 113
- 5. Advertising and the Apparatus : Cinema, Television, and Out-of-Home Screens 155
- 6. Advertising as Commercial Speech: Truth and Trademarks in Testimonial Advertising 195
- 7. Advertising’s Self-Reference: From Early Cinema to the Super Bowl 215
-
Part II Cases and Materials
- 8. Moving Objects: The Case of Volvo 245
- 9. Cinematic Intertexts: h&m Goes YouTube 269
- 10. Beyond Promotion: The UN Global Goal Campaign 291
- Select Bibliography 315
- Index 333