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Amsterdam University Press
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Kapitel in diesem Buch
- Frontmatter 1
- Table of contents 7
- List of plates and figures 9
- Acknowledgements 19
- 1. People and things in motion: the view from the East 21
-
Part I. Circuits and exchanges
- 2. The maritime trading world of East Asia from the thirteenth to the seventeenth centuries 55
- 3. The junk trade and Hokkien merchant networks in maritime Asia, 1570–1760 83
- 4. The trade activities of sixteenth-century Christian daimyo Ōtomo Sōrin 113
-
Part II. Commodities
- 5. From global to local: the diaspora of Asian decorative arts in colonial Latin America 127
- 6. Trans-Pacific connections: contraband mercury trade in the sixteenth to early eighteenth centuries 159
- 7. “The Features are Esteem’d very just”: Chinese unfired clay portrait figures of Westerners 195
-
Part III. Hybrid aesthetics
- 8. The global keyboard: music, visual forms, and maritime trade in the early modern era 223
- 9. Barbarian tropes framed anew: three Qing dynasty Chinese lacquer screens of Europeans hunting 247
- 10. Chinese porcelain, the East India Company, and British cultural identity, 1600–1800 275
- Index 293
Kapitel in diesem Buch
- Frontmatter 1
- Table of contents 7
- List of plates and figures 9
- Acknowledgements 19
- 1. People and things in motion: the view from the East 21
-
Part I. Circuits and exchanges
- 2. The maritime trading world of East Asia from the thirteenth to the seventeenth centuries 55
- 3. The junk trade and Hokkien merchant networks in maritime Asia, 1570–1760 83
- 4. The trade activities of sixteenth-century Christian daimyo Ōtomo Sōrin 113
-
Part II. Commodities
- 5. From global to local: the diaspora of Asian decorative arts in colonial Latin America 127
- 6. Trans-Pacific connections: contraband mercury trade in the sixteenth to early eighteenth centuries 159
- 7. “The Features are Esteem’d very just”: Chinese unfired clay portrait figures of Westerners 195
-
Part III. Hybrid aesthetics
- 8. The global keyboard: music, visual forms, and maritime trade in the early modern era 223
- 9. Barbarian tropes framed anew: three Qing dynasty Chinese lacquer screens of Europeans hunting 247
- 10. Chinese porcelain, the East India Company, and British cultural identity, 1600–1800 275
- Index 293