Notes On The Bergsonian Cinematograph

Kapitel in diesem Buch

1. Frontmatter 1
2. Contents 5
3. Acknowledgments 9
4. Questioning The Word “Dispositif” 11
5. Foreword 15
6. I. Dispositives Programs
7. The Dispositive Does Not Exist! 21
8. Between Knowing And Believing 45
9. II. Dispositives Issues
10. “You Do Not Even Know Where You Are” 75
11. Marey And The Synthesis Of Movement 93
12. Notes On The Bergsonian Cinematograph 115
13. The Stereopticon And Cinema 129
14. On Some Limitations Of The Definition Of The Dispositive “Cinema” 161
15. The Moment Of The “Dispositif” 179
16. The “Dispositive Effect” In Film Narrative 195
17. III. Dispositives Histories
18. The Social Imaginary Of Telephony 217
19. Between Paradoxical Spectacles And Technical Dispositives 249
20. Forms Of Machines, Forms Of Movement 275
21. The Amateur-Dispositive 299
22. Two Versions Of The Television Dispositive 319
23. Reality Television As Dispositive: The Case Of French-Speaking Switzerland 341
24. Dispositive And Cinepoetry, Around Foucault’S Death And The Labyrinth 359
25. Archaeology And Spectacle 379
26. About The Authors 393
27. Index Of Titles 399
28. Index Of Names 403