Chapters in this book

1. Frontmatter i
2. Contents v
3. Introduction vii
4. Documents Of Communism: Lost And Found
5. Documents Of Communism: Lost And Found 1
6. The Man in the White Raincoat 1
7. Communist Secret Services on the Screen. The Duna-gate Scandal in and beyond the Hungarian Media 57
8. Façades The Private and the Public in Kádár’s Kiss by Péter Forgács 81
9. The Experiences of a Filmmaker. Reconstructing Reality from Documents in Communist Archives 103
10. Subjects of Nostalgia: Selling the Past
11. Out of the Past. Memories and Nostalgia in (Post-)Yugoslav Cinema 115
12. Long Farewells. The Anatomy of the Soviet Past in Contemporary Russian Cinema 143
13. The Economics of Nostalgia. Socialist Films and Capitalist Commodities in Contemporary Poland 181
14. “We Have Democracy, Don’t We?” Czech Society as Reflected in Contemporary Czech Cinema 215
15. Objects of Memory: Museums, Monuments, Memorials
16. The Redistribution of the Memory of Socialism. Identity Formations of the “Survivors” in Hungary after 1989 245
17. Raising the Cross. Exorcising Romania’s Communist Past in Museums, Memorials and Monuments 275
18. The “Unmemorable” and the “Unforgettable.” “Museumizing” the Socialist Past in Post-1989 Bulgaria 307
19. Containing Fascism. History in Post-Communist Baltic Occupation and Genocide Museums 335
20. How Is Communism Displayed? Exhibitions and Museums of Communism in Poland 371
21. About the Authors 401
22. Name Index 405
23. Subject Index 413