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Past for the Eyes
East European Representations of Communism in Cinema and Museums After 1989
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Edited by:
and
Language:
English
Published/Copyright:
2008
About this book
How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.
Author / Editor information
Sarkisova Oksana :
Oksana Sarkisova is a Research Archivist at OSA Archivum, Central European University and Program Director of the International Documentary Film Festival Verzió.
Apor Péter :Péter Apor is permanent research fellow at the Institute of History, Humanities Research Center, Budapest.
Topics
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Frontmatter
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Contents
v -
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Introduction
vii - Documents Of Communism: Lost And Found
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Documents Of Communism: Lost And Found
1 -
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The Man in the White Raincoat
1 -
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Communist Secret Services on the Screen. The Duna-gate Scandal in and beyond the Hungarian Media
57 -
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Façades The Private and the Public in Kádár’s Kiss by Péter Forgács
81 -
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The Experiences of a Filmmaker. Reconstructing Reality from Documents in Communist Archives
103 - Subjects of Nostalgia: Selling the Past
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Out of the Past. Memories and Nostalgia in (Post-)Yugoslav Cinema
115 -
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Long Farewells. The Anatomy of the Soviet Past in Contemporary Russian Cinema
143 -
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The Economics of Nostalgia. Socialist Films and Capitalist Commodities in Contemporary Poland
181 -
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“We Have Democracy, Don’t We?” Czech Society as Reflected in Contemporary Czech Cinema
215 - Objects of Memory: Museums, Monuments, Memorials
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The Redistribution of the Memory of Socialism. Identity Formations of the “Survivors” in Hungary after 1989
245 -
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Raising the Cross. Exorcising Romania’s Communist Past in Museums, Memorials and Monuments
275 -
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The “Unmemorable” and the “Unforgettable.” “Museumizing” the Socialist Past in Post-1989 Bulgaria
307 -
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Containing Fascism. History in Post-Communist Baltic Occupation and Genocide Museums
335 -
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How Is Communism Displayed? Exhibitions and Museums of Communism in Poland
371 -
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About the Authors
401 -
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Name Index
405 -
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Subject Index
413
Publishing information
Pages and Images/Illustrations in book
eBook published on:
January 1, 2008
eBook ISBN:
9786155211430
Pages and Images/Illustrations in book
Main content:
436
Illustrations:
30
eBook ISBN:
9786155211430
Keywords for this book
Cultural studies; Fascism; Film; Media; Memory in art; Memory politics; Museums; Postcommunism
Audience(s) for this book
Professional and scholarly;