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Audiovisual Disruption

Post-Digital Aesthetics in Contemporary Audiovisual Arts
  • Pedro Ferreira
Language: English
Published/Copyright: 2024
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About this book

Post-digital art suggests a form of embodiment of digital technologies that unfolds in physical space through hands-on material approaches, and even the repurposing of older analogue media. Pedro Ferreira examines these aesthetics in contemporary audiovisual arts as reactions to our post-digital condition. He traces four post-digital territories by looking on the digital infrastructure, within the effects of the post-digital condition, in-between digital and non-digital media as media hybrids, and off digital media in a turn to analogue media. Concluding with a series of artworks, this study exposes the material, sociocultural and environmental consequences of digital technologies in our post-digital age.

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»For anyone interested in artistic research, digital frameworks, or contemporary aesthetics, this book offers a critical and inspiring resource that is sure to spark joy in readers’ minds.«

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  • Publicly Available

    Frontmatter

    1
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  • Publicly Available

    Contents

    7
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    Figures

    11
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  • Introduction
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    Purpose

    17
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    Methodology

    17
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    Significance

    19
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    Overview

    20
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  • 1. Audiovisual Arts in the Post-Digital Age
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    Audiovisual Arts and Audiovisuology

    25
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    Origins of the Term Post-Digital

    28
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    Post-Digital Aesthetics and Condition

    34
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  • Post-Media, Post-Internet and New Aesthetic
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    Post-media

    38
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    Post-internet

    43
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    New aesthetic

    45
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    Analogue Atoms + Digital Bits = Post-digital Hybridisation

    46
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    Digital Art

    49
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  • Mapping the Post-Digital Aesthetics in Audiovisual Arts
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    On digital media

    54
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    Within digital media

    54
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    In-between digital and non-digital media

    55
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    Off digital media

    55
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    Summary

    56
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  • 2. Post-Digital Aesthetics in Contemporary Audiovisual Arts
  • On Digital Media
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    The aesthetics of failures

    60
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    The critical role of glitch

    63
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    Summary

    65
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  • Within Digital Media
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    The aesthetics of saturation

    66
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    Queering digital media

    67
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    Summary

    70
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  • In-Between Digital and Non-Digital Media
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    The aesthetics of hybridisation

    71
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    Beyond the screen

    72
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    Summary

    75
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  • Off Digital Media
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    The aesthetics of repurposing

    76
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    Neo-analogue turn as resistance

    77
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    Materiality and the tangibility of film

    78
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    Repurposing and resurrecting media

    82
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    Analogue-digital media assemblages

    83
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    Summary

    85
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    Comparing the Post-Digital Aesthetics

    86
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  • 3. Critical Making and Post-Digital Hybridisation in Audiovisual Arts
  • A Brief Introduction to Critical Making
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    Critical making as a process-oriented practice

    91
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  • Repoliticising Makers and Technology-Oriented Artists
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    Making through a hands-on approach

    94
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  • Critical Making and Post-Digital Art
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    Critically-made art

    96
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    Post-digital hybridisation

    97
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    Entanglement

    98
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    Summary

    100
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  • 4. Understanding the Post-Digital Condition Through Practice-Based Research
  • Datox
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    The computational society

    104
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    Electricity and non-human agency

    105
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    Album and archive of electronics’ noise

    106
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    Live performance

    108
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    Data overload recovery

    109
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  • On a Scroll Through the Cloud
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    The cloud materiality and its obfuscation

    110
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    The normalisation of surveillance capitalism

    112
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    Navigating the foggy environment of the cloud

    114
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  • Things I Do When I’m Bored
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    The corporate web and digital folklore

    118
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    Vlogging because I’m so bored

    119
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    I’m so bored so I decided to make a vlog

    120
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    Boredom vlogging patterns

    121
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    Let there be more boredom

    123
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  • Debris
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    An introduction to electronic waste

    124
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    Computation and computational media

    125
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    Digital media (im)materiality

    127
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    The constellation of digital media materiality

    127
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    Can you defeat planned obsolescence?

    128
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    The detritus of digital media technologies

    129
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  • Deep Touch
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    Sensing and smartness devices

    132
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    Nonsense apparatus

    133
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    Rematerialising the invisible forces of big tech

    134
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  • All to Sand Returns
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    Speculations on future landscapes and contemporary anxieties

    137
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    Repurposing analogue media and analogue-digital media hybrids

    138
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    Environment and matter

    140
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    Summary

    141
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    Conclusion: Rethinking Post-Digital Audiovisual Arts

    145
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    Acknowledgements

    151
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  • Appendix: List of the Series of Artworks
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    Datox

    153
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    On a Scroll Through the Cloud

    153
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    Things I Do When I’m Bored

    154
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    Debris

    154
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    Deep Touch

    154
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    All to Sand Returns

    155
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    Bibliography

    157
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    Notes

    169
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    Understanding the Post-Digital Condition Through Practice-Based Research

    191
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    Conclusion: Rethinking Post-Digital Audiovisual Arts

    197
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
October 23, 2024
eBook ISBN:
9783839474167
Pages and Images/Illustrations in book
Main content:
198
Illustrations:
45
https://doi.org/10.1515/9783839474167
eBook ISBN: 9783839474167
Keywords for this book
Post-Digital; Post-Digital; Aesthetics; Aesthetics; Audiovisuals; Audiovisuals; Media Arts; Media Arts; Digital Culture; Digital Culture; Art; Art; Theory of Art; Theory of Art; Art History of the 21st Century; Art History of the 21st Century; Fine Arts; Fine Arts
Audience(s) for this book
For an expert adult audience, including professional development and academic research
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