Book
Open Access
Re-Composing YouTube
Vernacular Musical Aesthetics in the Digital Age
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Jonas Wolf
Language:
English
Published/Copyright:
2024
About this book
YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.
Topics
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2 Towards a Conceptual Framework of Vernacular Re-Composition
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3 Contextualising and Categorising Media Objects of Musical Produsag
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4 Circulation, Imitation, and Play
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5 Musical (Micro-)Celebrities
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6 Challenges and Vernacular Competencies of Selectivity and Evasion
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6.2 How to be Differently Different – “Becoming-Imperceptible” in an Environment of Commensurability
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Bibliography
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 25, 2024
eBook ISBN:
9783839473825
Pages and Images/Illustrations in book
Main content:
280
Illustrations:
5
Coloured Illustrations:
38
eBook ISBN:
9783839473825
Keywords for this book
Remix Culture; Remix Culture; Social Media; Social Media; Musical Aesthetics; Musical Aesthetics; Vernacular; Vernacular; Composition; Composition; Music; Music; Media; Media; Popular Culture; Popular Culture; Media Aesthetics; Media Aesthetics; Musicology; Musicology; Sound; Sound; Digital Media; Digital Media; Media Studies; Media Studies
Audience(s) for this book
For an expert adult audience, including professional development and academic research
Creative Commons
BY 4.0
