Chapters in this book

1. Frontmatter 1
2. Contents 6
3. Materialities in Dance and Performance. An Introduction 8
4. Writing as Choreographic Practice
5. Scribbling Towards Something: Interview on the Written in Dance 24
6. What Dance Teaches Us about Reading: Four Events and an Interlude 34
7. Choreographic Writing. Material Practice of Artistic Production 54
8. Passing on the Legacy of Collaboration: Material Goods as Marginalia 82
9. Documenting as Knowledge Production
10. “I want to continue working on the body”. Gabriele Klein and Sasha Waltz in Conversation 104
11. From Documentary to Performative Documentation 118
12. The Scriptal Method and Choreography 134
13. Notational Iconicity, Spatiality, Time: The Creativity of Artificial Flatness 152
14. Archiving as Performative Act
15. deufert+plischke anarchivtan z 176
16. Archiving the Body – Cultural Memory and the Practice of Intangible Cultural Heritage 192
17. Absent and Abundant Arte(povera)facts 208
18. “Things that Death Cannot Destroy”: The Afterlife and Performativity of Photographic Images (Linda Fregni Nagler) 226
19. Multiple Materialisms: Situating Dance between Enactivist and New Materialist Discourses 244
20. Contributors 270