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6.4 National network layer
Chapters in this book
- Frontmatter 1
- Contents 5
- Acknowledgements 9
- Introduction 13
-
Part One
- 1.1 Methodological and theoretical framework 15
- 1.2 What is Romania? Preliminary considerations 24
- 1.3 Previous research on Henrik Ibsen’s presence on the Romanian stage 32
- 1.4 Dataset 37
- 1.5 Periodization and patterns revealed by the data 37
-
Part Two
- 2.1 The appropriation of foreign cultural models in the reception to Henrik Ibsen in Romania 41
- 2.2 The French model 43
- 2.3 The Italian model 58
- 2.4 The German model 73
- 2.5 Minor reception models. Hungarian and Yiddish Ibsen performances on the Romanian map 88
- 2.6 Conclusions 102
-
Part Three
- 3.1 How much Ibsen? Ibsen’s “acclimatisation” in the Romanian theatres’ repertory 105
- 3.2 What is the Romanian national theatre? The National Theatres caught between laws, politics and money 108
-
Part Four
- 4.1 Romanian Ibsenites 129
- 4.2 Section One. Production Hubs 141
- 4.3 Section Two. Character sites 198
- Part Five: Conclusions 245
-
Part Six: Technical Appendix. Networks
- Introduction 255
- 6.1 Three layers 256
- 6.2 Ibsen network layer 256
- 6.3 Romanian Ibsen key contributors layer 257
- 6.4 National network layer 258
- 6.5 Final remarks 259
- Figures 261
- Bibliography 309
Chapters in this book
- Frontmatter 1
- Contents 5
- Acknowledgements 9
- Introduction 13
-
Part One
- 1.1 Methodological and theoretical framework 15
- 1.2 What is Romania? Preliminary considerations 24
- 1.3 Previous research on Henrik Ibsen’s presence on the Romanian stage 32
- 1.4 Dataset 37
- 1.5 Periodization and patterns revealed by the data 37
-
Part Two
- 2.1 The appropriation of foreign cultural models in the reception to Henrik Ibsen in Romania 41
- 2.2 The French model 43
- 2.3 The Italian model 58
- 2.4 The German model 73
- 2.5 Minor reception models. Hungarian and Yiddish Ibsen performances on the Romanian map 88
- 2.6 Conclusions 102
-
Part Three
- 3.1 How much Ibsen? Ibsen’s “acclimatisation” in the Romanian theatres’ repertory 105
- 3.2 What is the Romanian national theatre? The National Theatres caught between laws, politics and money 108
-
Part Four
- 4.1 Romanian Ibsenites 129
- 4.2 Section One. Production Hubs 141
- 4.3 Section Two. Character sites 198
- Part Five: Conclusions 245
-
Part Six: Technical Appendix. Networks
- Introduction 255
- 6.1 Three layers 256
- 6.2 Ibsen network layer 256
- 6.3 Romanian Ibsen key contributors layer 257
- 6.4 National network layer 258
- 6.5 Final remarks 259
- Figures 261
- Bibliography 309