Chapters in this book

1. Frontmatter 1
2. Contents 7
3. Preface 9
4. Abstract 11
5. Prologue 13
6. Acknowledgements 16
7. 0 Introduction
8. 0.1 Methods of Research and Theoretical Frameworks 22
9. 0.2 Literature Review 40
10. 0.3 Pride Parade as a Site of Contradictions. Europeanisation, LGBT and Queer Activism, and Leftist Demands from Within 42
11. 0.4 Structure of the PhD Dissertation 46
12. 1 Translating Queer, Contextualising Translation. Tensions towards a Queer Politics
13. 1.1 Feminist and Queer Backgrounds—Dissident Currents—Debates on Intersectionality: Decolonial Feminism and Decolonial Queer 56
14. 1.2 Gender and Political Difference: The Histories of Art and Activism in the Yugoslavian Cultural Space 69
15. 1.3 Anti-War Agency: Feminists, Lesbians, Gays, Artists and Others 81
16. 1.4 Translating Queer: QueerBeograd and the Discourse of Kvar 86
17. 2 Making the World That We Imagine: QueerBeograd Cabaret 2006–2008
18. 2.1 QueerBeograd Cabaret—“Preparing the Space” 96
19. 2.2 “Queercore/Lubricant” Cabaret (2006) 98
20. 2.3 QueerBeograd Cabaret (2007) 121
21. 2.4 QueerBeograd Cabaret “Direcktno” (2008) 133
22. 3 The Politics of References: Anti-fascism, Queercore, No Borders
23. 3.1 Weimar Cabaret and the Politics of Anti-Fascism 164
24. 3.2 Transnational Radical Queer Activism and Contemporary Queer Cabaret Culture 176
25. 3.3 No Borders Politics 179
26. 3.4 QueerBeograd: A Hybridising and Situating Cabaret 186
27. 4 Queer—or More Precisely, Kvar—as a Method
28. 4.1 Creating the QueerBeograd Festival Time and Space 202
29. 4.2 Kvar as a Procedure of Organising 207
30. 4.3 The Method of QueerBeograd Cabaret 214
31. 4.4 Positions of Enunciation and Subject Matters 227
32. 5 Conclusion: Staging the Politics of Interconnectedness between Queer, Anti-Fascism and No Borders Politics
33. 5.1 Advancing Intersectionality 250
34. 5.2 QueerBeograd and Pride 254
35. 5.3 Festivals and Alternative Political Culture 258
36. Bibliography 265