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Chapter
Open Access
Chapter 3: Francis Galton and the Composite Portrait
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Abstract 9
- Acknowledgements 11
- Chapter 1: Introduction 15
-
Part I: Aesthetics of an Algorithm
- Chapter 2: Eigenface 55
- Chapter 3: Francis Galton and the Composite Portrait 85
- Chapter 4: Wittgenstein and the Composite Portrait 101
-
Part II: Artistic Interventions
- Chapter 5: Portraiture in the Age of AFR 117
- Chapter 6: Metaportraits: Thomas Ruff, andere Portraits 125
- Chapter 7: Faces in Excess: Zach Blas, Facial Weaponization Suite 141
- Chapter 8: An Algorithmic Ready-made: Trevor Paglen, Adversarially Evolved Hallucination and Eigenface (Even The Dead Are Not Safe) 159
- Chapter 9: Conclusion 177
- References 187
- List of Images 195
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Abstract 9
- Acknowledgements 11
- Chapter 1: Introduction 15
-
Part I: Aesthetics of an Algorithm
- Chapter 2: Eigenface 55
- Chapter 3: Francis Galton and the Composite Portrait 85
- Chapter 4: Wittgenstein and the Composite Portrait 101
-
Part II: Artistic Interventions
- Chapter 5: Portraiture in the Age of AFR 117
- Chapter 6: Metaportraits: Thomas Ruff, andere Portraits 125
- Chapter 7: Faces in Excess: Zach Blas, Facial Weaponization Suite 141
- Chapter 8: An Algorithmic Ready-made: Trevor Paglen, Adversarially Evolved Hallucination and Eigenface (Even The Dead Are Not Safe) 159
- Chapter 9: Conclusion 177
- References 187
- List of Images 195