Chapters in this book

1. Frontmatter 1
2. Table of Contents 5
3. Acknowledgements 7
4. Popular Music and Public Diplomacy 9
5. Part I: Competition and Collaboration
6. Music in Transnational Transfers and International Competitions 29
7. The Paradoxes of Cultural and Music Diplomacy in a Federal Country 49
8. Dervish on the Eurovision Stage 69
9. Part II: Infiltration and Appropriation
10. Between Propaganda and Public Diplomacy 95
11. “Liberated from Serfdom” 117
12. A Musical Inquisition? 133
13. Part III: Education and Promotion
14. Dancing in Chains 155
15. Becoming a Blue-Collar Musical Diplomat 175
16. Music Trade in the Slipstream of Cultural Diplomacy 197
17. National Flamencoism 209
18. Part IV: Representation and Participation
19. The Ethics and Politics of Empathy in US Hip-Hop Diplomacy 233
20. Popular Musicking and the Politics of Spectatorship at the United Nations 255
21. From Sons of Gastarbeita to Songs of Gastarbeiter 277
22. Public Diplomacy and Decision-Making in the Eurovision Song Contest 301
23. List of Contributors 315
24. Index 321