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Contents
Chapters in this book
- Frontmatter 1
- Contents 5
- Introduction Literature that Returns to Life and the Mystique of Age 7
- Keeping Appointments with the Past Time, Place, and Narrative Identity in W.G. Sebald’s Austerlitz 21
- Haunted by a Traumatic Past Age, Memory, and Narrative Identity in Margaret Atwood’s The Blind Assassin 41
- “The whole aspect of age is full of possibilities!” Traces of Ageing, Memory, and Sexuality in Daphne du Maurier’s “Don’t Look Now” 65
- Ageing, Agency, and Autobiography Challenging Ricoeur’s Concept of Narrative Identity 91
- An Appetite for Life Narrative, Time, and Identity in Still Mine 111
- Memory, Dementia, and Narrative Identity in Alice Munro’s “The Bear Came Over the Mountain” 133
- Horror Mortis, Structural Trauma, and Postmodern Parody in Saul Bellow’s Henderson the Rain King 149
- Rewriting the Story, Restorying the Self Doris Lessing’s Experiments in Life-Writing 169
- Contributors 189
Chapters in this book
- Frontmatter 1
- Contents 5
- Introduction Literature that Returns to Life and the Mystique of Age 7
- Keeping Appointments with the Past Time, Place, and Narrative Identity in W.G. Sebald’s Austerlitz 21
- Haunted by a Traumatic Past Age, Memory, and Narrative Identity in Margaret Atwood’s The Blind Assassin 41
- “The whole aspect of age is full of possibilities!” Traces of Ageing, Memory, and Sexuality in Daphne du Maurier’s “Don’t Look Now” 65
- Ageing, Agency, and Autobiography Challenging Ricoeur’s Concept of Narrative Identity 91
- An Appetite for Life Narrative, Time, and Identity in Still Mine 111
- Memory, Dementia, and Narrative Identity in Alice Munro’s “The Bear Came Over the Mountain” 133
- Horror Mortis, Structural Trauma, and Postmodern Parody in Saul Bellow’s Henderson the Rain King 149
- Rewriting the Story, Restorying the Self Doris Lessing’s Experiments in Life-Writing 169
- Contributors 189