Italian Spoken Music: Intermediality and Medium Specificity in the Work of Poetry Collective Mezzopalco

Chapters in this book

1. Frontmatter I
2. Vorwort V
3. Contents IX
4. Introduction 1
5. Part I: Oral Poetry between Tradition and Innovation
6. Jeliya goes Spotify: From Griot Oral Traditions to Multimodal Representations of Contemporary West African Music and Languages 27
7. Music and Literary Imagination: The Creative Impulse of Sonic Vibrations in Dub Poetry 57
8. Flow like Poe – Lit-Hop zwischen Dichtungstheorie und digitaler Pädagogik 75
9. Into the Sound World: Worlding and the Thick Event in Neil Campbell and Seán Street’s Collaborative Album Estuary (2017) 93
10. Part II: After the Art Song
11. Das Kunstlied und das Jetzt 111
12. Dichtung und die Poetik der Stille 135
13. Intermedial Environmental Aesthetics: The Musical Afterlife of George Mackay Brown’s Poetic Recordings 157
14. Chopins Musik in der zeitgenössischen polnischen Lyrik: zwischen Mythos und Medien 175
15. Part III: Time and Space in Poetic Sound Art
16. How to Remember, Sonically? Affective Situated Listening in Audioliterary Docupoetry: Memory Loops (2010) and Audio.Space.Machine (2019) 197
17. Tuning in to the East Village Poetry Walk (2012) 217
18. The Sound of Contagion: Poetry and Community in the Online Performance Series Language is à Virus (2020–2021) 233
19. “Listening Through the Light”: Posthuman Feminism in the Poetry Sound Assemblage Bioluminescent Baby (2019) 251
20. Part IV: Poetics of the Voice
21. Poetry Audio Recordings and Interdisciplinary Phonetic Study 271
22. Künstliche Intelligenz, menschliche Stimme: Monika Rinck liest Monika Rinck (2020) 295
23. Italian Spoken Music: Intermediality and Medium Specificity in the Work of Poetry Collective Mezzopalco 313
24. List of Contributors