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book: Panoramic and Immersive Media Studies Yearbook
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Panoramic and Immersive Media Studies Yearbook

  • Herausgegeben von: Molly C. Briggs , Thorsten Logge und Nicholas C. Lowe
  • Gefördert durch: Universität Hamburg
Sprache: Englisch
Veröffentlicht/Copyright: 2025
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Panoramic and Immersive Media Studies Yearbook

Über dieses Buch

The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history.
The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fi elds contribute important perspectives to the interdisciplinary fi eld of panoramic and immersive media studies.
The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth century panoramas, and promoting awareness of the medium’s history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fi elds of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal, a selected proceedings of the annual conferences of the IPC, published 2017–2023.

Information zu Autoren / Herausgebern

Thorsten Logge, Universität Hamburg, Germany; Nicholas C. Lowe; School of the Art Institute of Chicago, USA; Molly C. Briggs, University of Illinois Urbana-Champaign, USA.

Fachgebiete

  • Open Access

    Frontmatter

    I
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  • Open Access

    Contents

    V
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  • Open Access

    Frontmatter

    IX
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  • Open Access

    PIMS Yearbook Editorial Board

    XI
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  • Open Access

    Call for the PIMS Yearbook, volume 3, 2026

    XIII
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  • 1 Scholarly Essays
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    Introduction

    1
    Liz Crooks und Melissa Wolfe
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  • Open Access

    Henry “Box” Brown’s Reflection of Slavery and the American Landscape: Reconstructing the Moving Panorama Mirror of Slavery

    7
    Rachel Burke
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  • Open Access

    Slabs of White: Panoramic Whales and Photographic Guano in the Mid-Nineteenth Century

    37
    Conor Lauesen
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  • 2 Forum
  • Open Access

    Introduction: Context and Conversation in Panoramic and Immersive Media Studies

    77
    Molly C. Briggs, Thorsten Logge und Nicholas C. Lowe
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  • Open Access

    Beyond the Global Gaze: Celebrating Planetarium Diversity and Shaping a Spherical Worldview on Their Centennial

    81
    Adela-Iuliana Negustor
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  • Open Access

    “Panoramas” in East Asia

    93
    Richard A. Pegg
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  • Open Access

    The History of Chinese Panoramas Began with a Visit to the Panorama of the Battle of Racławice

    105
    Mgr Beata Stragierowicz
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  • 3 Reprints
  • Open Access

    Introduction: How a Great Battle Panorama is Made

    111
    Molly C. Briggs, Thorsten Logge und Nicholas C. Lowe
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  • Open Access

    How a Great Battle Panorama is Made

    117
    Theodore R. Davis
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  • 4 Restoration, Management, and Field Reports
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    Introduction: Restoring, Reconstructing and Reviving Historic Panoramas

    135
    Gabriele Koller und Patrick Deicher
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    The Bourbaki Panorama and the Challenges of Restoring the Optical Apparatus

    139
    Christian Marty
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    The Racławice Panorama and its Two Counterparts: Reconstruction in the Process of Panorama Revitalization

    153
    Ryszard Wójtowicz
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    The Panorama of the Battle of the Yser at Nieuwpoort: How One of the War Heritage Institute’s War Panoramas is Presented in a New Permanent World War I Exhibition in Westfront Nieuwpoort, Belgium

    165
    Vera Bras
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  • Open Access

    The Chicago Fire Cyclorama Reimagined: A Prototype for Immersive, Object-based Storytelling

    177
    Carl Smith und Geoffrey Alan Rhodes
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  • 5 Visual and Creative Essays
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    Introduction: Immersive Empires, Expansive Texts

    191
    Ruby Carlson und Sara Velas
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  • Open Access

    Men Arrived on Horseback (Boas)

    195
    Stephanie Ellis Schlaifer
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  • Open Access

    A Façade on a Façade: The Necessity of Universal Studios’ Immersive Fictions

    201
    Megan Koester
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    Lens, Light, Mirror: Various Experiences Made with an Overhead Projector

    211
    Ursula Brookbank
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  • Open Access

    Panorama Poem

    223
    Blagovesta Momchedjikova
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  • Open Access

    The Multidimensional Living Manifesto

    231
    Jeffrey Ose Ohuaregbe
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  • Open Access

    The Wilderness Shall Blossom as the Rose

    237
    Matilda Bathurst
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  • Open Access

    Panorama: IPC 2024 Post-Conference Tour

    247
    Tonia Ramogida
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  • 6 International Panorama Council Conference Report & Papers
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    Panoramas as Memory of the World: Perspectives from the 33rd IPC Conference Hosts

    259
    Tonia Ramogida, Daniel Jaquet und Sarah Kenderdine
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  • Open Access

    Short History of the Swiss and International Panorama Initiatives and Ideas Regarding UNESCO

    273
    Patrick Deicher
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  • Open Access

    Charles A. Chase and the Electric Cyclorama

    281
    Suzanne Wray
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  • Open Access

    The Nova Tuskhut: A Walk-in Archive of “Arctic” Things

    289
    Ruby Carlson, Sara Velas und Weiling Deng
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  • Open Access

    An Archaeology of Time and Memory in Panoptic Media

    311
    Rod Bantjes
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  • Open Access

    Verlangen naar de verte / Longing for the Distance—Reflections on My Solo Exhibition at Museum Panorama Mesdag in The Hague, 2023

    323
    Ulrike Heydenreich
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  • Open Access

    Illustrating a New Memory: Panorama Key and Virtual Tour for the exhibition Panorama of Congo

    335
    Chiara Masiero Sgrinzatto
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  • Open Access

    Redefining Perception of Cultural Heritage: Extending Reality with 3D Models, VR, AI, and Gaming Technology

    355
    Karolina Wójtowicz
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  • 7 Reviews
  • Open Access

    7 Reviews

    415
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  • Open Access

    Interview—Exposing Contrasts: A Conversation With Matthew G. Stanard on the Panorama of Congo and Belgian Colonial Propaganda

    415
    Victor Flores und Linda King
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  • Open Access

    Book Review— The Panorama of the Battle of Racławice and its Two Counterparts by Ryszard Wójtowicz

    433
    Gabriele Koller
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  • Open Access

    Book Review—Sacred Spaces of New England: Cultural Heritage and the Panorama by Seth Thompson

    441
    Blagovesta Momchedjikova
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  • Open Access

    Exhibition Catalog Review—On the Spot: Panoramic Gaze on Istanbul, A History

    447
    Andrew J. Reading
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  • 8 Call for the 2025 Conference
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    The World at a Glance: Panoramic and Peep Technologies

    451
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  • Open Access

    Index

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Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
4. Dezember 2025
eBook ISBN:
9783111695754
Gebunden veröffentlicht am:
4. Dezember 2025
Gebunden ISBN:
9783111694146
Seiten und Bilder/Illustrationen im Buch
Frontmatter:
14
Inhalt:
471
Abbildungen:
26
Farbige Abbildungen:
175
https://doi.org/10.1515/9783111695754
eBook ISBN: 9783111695754
Gebunden ISBN: 9783111694146
Schlagwörter für dieses Buch
Materielle Kultur; Medienarchäologie; Populärkultur; Public History
Zielgruppe(n) für dieses Buch
Academics with a Focus on Material culture studies, Media archaeology as well as popular culture; artists and designers
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Heruntergeladen am 30.1.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9783111695754/html
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