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How to Erase Writing According to Recipes from the Arab World: Replication and Analytical Report

  • Claudia Colini

    Claudia Colini is junior professor in Archaeometry at the Institute for Archaeology and Cultural History of the Ancient Mediterranean and head of the Mobile Lab of the Cluster of Excellence ‘Understanding Written Artefacts’ at Universität Hamburg. She has a background in archaeometry and book conservation and is specialised in Islamic manuscripts and their materials. Her current research projects focus on the coexistence of different writing supports, inks, and colours in the early centuries of Islamic Egypt.

    , Giuseppe Marotta

    Giuseppe Marotta is a doctoral researcher in archaeometry at Universität Hamburg. He is member of the Mobile Lab of the Cluster of Excellence ‘Understanding Written Artefacts’. He obtained his master’s degree in book, paper, and parchment conservation at the Istituto Centrale per la Patologia degli Archivi e del Libro in Rome. His current project focuses on the production, use, and material features of early Islamic manuscripts on parchment.

    , Sowmeya Sathiyamani

    Sowmeya Sathiyamani is a doctoral researcher at Universität Hamburg with a background in chemistry. Prior to starting her doctorate, she worked as project associate at the Indian Institute of Heritage, New Delhi, on a project involving an archaeometric study of the technology of pottery from the Early Harappan Period. Since 2022, she also has been a research associate at the CSMC, in the research project RFK 01, ‘The Scribe’s Choice: Writing Supports in Arabic Documents of the Early Islamic Centuries’.

    , Valentina Yañez Langner

    Valentina Yañez Langner is a cultural heritage conservator trained at the Escuela de Conservación y Restauración de Occidente in Jalisco, Mexico. She specialises in the conservation of graphic documents on paper and manuscripts. Her research and professional experience focus on the material study of illuminated manuscripts from Mexico’s colonial period. She attended the master’s programme at the CSMC.

    , Annie Muller

    Annie Muller was a graduate student in the CSMC master’s programme and wrote her thesis on the gendered role of textiles within medieval Western Christian manuscripts and contemporary artist books. Before that, she double-majored in art history and chemistry at Colby College, Waterville, Maine, US.

    , Katerina Grigoriadou

    Katerina Grigoriadou studied history and archaeology at the Aristotle University of Thessaloniki in Greece. She obtained a master’s degree in manuscript studies at the Cluster of Excellence ‘Understanding Written Artefacts’ of Universität Hamburg, specialising in the material analysis of medieval codices. She is currently pursuing a doctoral degree at the same institution in the field of archaeometry. Her research focuses on the spectroscopic analysis of black inks and colourants from early Renaissance Greek manuscripts produced in Italy.

    und Chen Yu

    Chen Yu is a PhD student at the School of Information Resource Management at Renmin University of China, Beijing, and a visiting PhD student at the CSMC. She has a background in archaeology and archival science and is now specialising in the conservation and scientific analysis of works on paper and palm leaf manuscripts.

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© 2026 Michele Cammarosano, published by Walter de Gruyter GmbH, Berlin/Boston // The book is published with open access at www.degruyter.com.

© 2026 Michele Cammarosano, published by Walter de Gruyter GmbH, Berlin/Boston // The book is published with open access at www.degruyter.com.

Kapitel in diesem Buch

  1. Frontmatter I
  2. Contents V
  3. A Framework for the Analysis of Rewriting Practices, and Three Case Studies: Clay Tablets, Wax Tablets, and Erasable Coatings 1
  4. The Future of the Past: Rewriting as a Cultural Practice from Handwritten Artefacts to the Digital Age 63
  5. Clay and Wax
  6. A Restorer’s Look at Rewritable Media: Cuneiform Clay Tablets in Conservation 75
  7. Temporality on Clay Tablets: When the Component Parts of a Cuneiform Document Were Committed to Clay 115
  8. Erasing Signs and Lines on Old Assyrian Cuneiform Clay Tablets 161
  9. Ashurbanipal and Objects for Esagil and Ešarra: A Case Study of Erasing, Removing, and Replacing Texts at the Height of the Assyrian Empire 191
  10. Refill, Reuse, Recycle? Reusing Wax Tablets in the Roman North-western Provinces 217
  11. Some Remarks on the Lexicon of Erasure between Antiquity and Middle Ages 255
  12. From Wax Tablets to Codices: The Possible Influence of the Stylus Holder on the Structure of Early Multi-gathering Codices 263
  13. Wax Tablets as Writing Media during the Middle Ages 309
  14. Papyrus, Parchment, Paper, and Wood
  15. Reasons for Papyrus Reuse in Ancient Egypt 335
  16. Coptic Palimpsests: When, Where, and Why? 357
  17. How to Erase Writing According to Recipes from the Arab World: Textual Analysis of Premodern Technical Recipes 373
  18. How to Erase Writing According to Recipes from the Arab World: Replication and Analytical Report 411
  19. Transient Texts: Erasable Writing on Wood, Sand, and Metal in Northern Nigerian Islam 439
  20. Writing and Rewriting Wooden Tablets in Seventh- and Eighth-Century Japan: The Mokkan Used for Learning 475
  21. Contributors 503
  22. Index of Written Artefacts
Heruntergeladen am 21.10.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783111682983-014/html?licenseType=open-access
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