Kant’s Hypotyposis as Rhetorical and Poetical Presentation
Abstract
This paper proposes to read Kant’s theory of presentation as hypotyposis as the mode through which the subject indirectly presents itself to itself. The thesis is articulated around the idea that hypotyposis is paradoxical because it presents the condition of possibility for presentation while exceeding the limits of what can be philosophically presented. Although Kant notes this paradox, he does not dwell on it. Taking some distance from the Kantian text, I aim to explain what is at play in such a paradox. I proceed in three steps. First, I set out the context through which Kant mobilizes the notion of hypotyposis. Second, I show that this notion of hypotyposis opens a paradox within the task of presentation itself. Finally, I interpret hypotyposis as symbolizing both the rhetorical and the poetical performance of the constitutive act of the subject.
Abstract
This paper proposes to read Kant’s theory of presentation as hypotyposis as the mode through which the subject indirectly presents itself to itself. The thesis is articulated around the idea that hypotyposis is paradoxical because it presents the condition of possibility for presentation while exceeding the limits of what can be philosophically presented. Although Kant notes this paradox, he does not dwell on it. Taking some distance from the Kantian text, I aim to explain what is at play in such a paradox. I proceed in three steps. First, I set out the context through which Kant mobilizes the notion of hypotyposis. Second, I show that this notion of hypotyposis opens a paradox within the task of presentation itself. Finally, I interpret hypotyposis as symbolizing both the rhetorical and the poetical performance of the constitutive act of the subject.
Chapters in this book
- Frontmatter I
- Preface 5
- Contents IX
- Abbreviations of Kant’s Works 11
-
Section I: Feelings and Action:Moral and Political Perspectives
- Kant on the Difference between Right and Ethics: Are We Capable of Acting (Solely) from Duty? 3
- Courage vs. Laziness: The Kantian Perspective between Education and Politics 19
- Kant’s Concept of Unsocial Sociability 33
-
Section II: Feelings and Judgements:Scientific and Aesthetical Approaches
- Kant’s Concept of Intensive Magnitude: Anticipating Scientific Experience 49
- Kant’s Hypotyposis as Rhetorical and Poetical Presentation 61
- The Aesthetic Representation of the Supersensible: Reassessing the Space of the Sublime 77
- On the Conceptual Restriction of Aesthetic Judgments 97
- The Heroic, the Pathic, the Barbaric: Kant’s Critique of Judgment and the Sight of War 111
-
Section III: Feelings and Environment Today:From a Kantian Perspective
- Kant and Environmental Ethics, Starting from the Doctrine of Virtue 135
- Shared Commitments and Ethical Values in the UN Agenda 2030 on Sustainable Development Goals: A Kantian Approach towards a Collectively Desirable State of the World 151
- Climate Change and Natural Beauty: Kant’s Aesthetic Moderate Ecocentrism 175
-
Section IV: Feelings and Kant’s Heritage
- “Das Gefühl ist factisch das erste ursprüngliche”: Remarks on the Role of Feeling in Fichte’s Wissenschaftslehre Nova Methodo 195
- The Problem of the Aesthetic Idea in Kant and Hegel: The Relationship between Beauty and Morality 207
- The Regulatory Use of the Ideas of Reason in Kant and Husserl 221
- Feeling and System: The Developments of Kant’s Concept of the Feeling of Pleasure and Displeasure in Hermann Cohen’s Aesthetics 235
- Index of persons
Chapters in this book
- Frontmatter I
- Preface 5
- Contents IX
- Abbreviations of Kant’s Works 11
-
Section I: Feelings and Action:Moral and Political Perspectives
- Kant on the Difference between Right and Ethics: Are We Capable of Acting (Solely) from Duty? 3
- Courage vs. Laziness: The Kantian Perspective between Education and Politics 19
- Kant’s Concept of Unsocial Sociability 33
-
Section II: Feelings and Judgements:Scientific and Aesthetical Approaches
- Kant’s Concept of Intensive Magnitude: Anticipating Scientific Experience 49
- Kant’s Hypotyposis as Rhetorical and Poetical Presentation 61
- The Aesthetic Representation of the Supersensible: Reassessing the Space of the Sublime 77
- On the Conceptual Restriction of Aesthetic Judgments 97
- The Heroic, the Pathic, the Barbaric: Kant’s Critique of Judgment and the Sight of War 111
-
Section III: Feelings and Environment Today:From a Kantian Perspective
- Kant and Environmental Ethics, Starting from the Doctrine of Virtue 135
- Shared Commitments and Ethical Values in the UN Agenda 2030 on Sustainable Development Goals: A Kantian Approach towards a Collectively Desirable State of the World 151
- Climate Change and Natural Beauty: Kant’s Aesthetic Moderate Ecocentrism 175
-
Section IV: Feelings and Kant’s Heritage
- “Das Gefühl ist factisch das erste ursprüngliche”: Remarks on the Role of Feeling in Fichte’s Wissenschaftslehre Nova Methodo 195
- The Problem of the Aesthetic Idea in Kant and Hegel: The Relationship between Beauty and Morality 207
- The Regulatory Use of the Ideas of Reason in Kant and Husserl 221
- Feeling and System: The Developments of Kant’s Concept of the Feeling of Pleasure and Displeasure in Hermann Cohen’s Aesthetics 235
- Index of persons
