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Funes the Arboreous: Borderless Ecologies in Borges’s Ficciones

  • Dominic Harkin
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Abstract

Jorge Luis Borges’s titular mnemonist of ‘Funes the Memorious’ once proposed ‘an analogous language’ to that of John Locke, which would pair ‘each individual thing, each stone, each bird and each branch, [with] its own name.’ The project Funes abandoned, we’re informed, because even this ‘seemed too general to him, too ambiguous.’ Much work on Borges concerns the vastness of his labyrinthine fictions; however, the infinities of the second half of Ficciones are primarily fractal, burrowing down, not out. Funes’s frustration is with his failure to wholly disentangle objects or beings from their networks of association, or, as Eco-critic Stacy Alaimo writes, at the minute level, ‘substantial interchanges render [even] the human permeable, dissolving stable outlines.’ This paper seeks to place Borges in dialogue with new, eco-critical theories of trans-corporeality; examining how his stories reconfigure the supposedly discrete object, and trouble the ostensible borderlines between the subject and their environment.

Abstract

Jorge Luis Borges’s titular mnemonist of ‘Funes the Memorious’ once proposed ‘an analogous language’ to that of John Locke, which would pair ‘each individual thing, each stone, each bird and each branch, [with] its own name.’ The project Funes abandoned, we’re informed, because even this ‘seemed too general to him, too ambiguous.’ Much work on Borges concerns the vastness of his labyrinthine fictions; however, the infinities of the second half of Ficciones are primarily fractal, burrowing down, not out. Funes’s frustration is with his failure to wholly disentangle objects or beings from their networks of association, or, as Eco-critic Stacy Alaimo writes, at the minute level, ‘substantial interchanges render [even] the human permeable, dissolving stable outlines.’ This paper seeks to place Borges in dialogue with new, eco-critical theories of trans-corporeality; examining how his stories reconfigure the supposedly discrete object, and trouble the ostensible borderlines between the subject and their environment.

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