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‘Thou wenest Ich be a beggere’: Borders and the Habitus in Middle English Romance

  • Matthew Bradley
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Abstract

This paper examines how borders in the landscapes of Middle English romance uncover the fragile and situational nature of their heroes’ identities and interrogates the ways in which they enforce new rules and expectations on those who dare to cross them. Utilising Pierre Bourdieu’s conception of the habitus, the paper identifies tests of ‘objective homogenizing’ in romances such as The Awntyrs off Arthur and Sir Gawain and the Carle of Carlisle, and how crossings of borders challenge their heroes’ understanding of their own chivalric identities. The paper begins by examining how the codes of chivalry which define the knights are tested by their crossings of borders into both wilderness and unfamiliar courts. Secondly, attention is paid to texts such as The Geste of Kyng Horn and Sir Orfeo where, despite attempts to mask their social status by masquerading as beggars, the titular heroes’ habitus is in fact ever-present, and strategically revealed to prove their identities. Through examining the heightened chivalric identities of Middle English romance, this paper highlights the ways in which borders permit the imposition of new rules and mores upon a space, and the influence of these conventions in shaping conceptions of personhood, status, and power.

Abstract

This paper examines how borders in the landscapes of Middle English romance uncover the fragile and situational nature of their heroes’ identities and interrogates the ways in which they enforce new rules and expectations on those who dare to cross them. Utilising Pierre Bourdieu’s conception of the habitus, the paper identifies tests of ‘objective homogenizing’ in romances such as The Awntyrs off Arthur and Sir Gawain and the Carle of Carlisle, and how crossings of borders challenge their heroes’ understanding of their own chivalric identities. The paper begins by examining how the codes of chivalry which define the knights are tested by their crossings of borders into both wilderness and unfamiliar courts. Secondly, attention is paid to texts such as The Geste of Kyng Horn and Sir Orfeo where, despite attempts to mask their social status by masquerading as beggars, the titular heroes’ habitus is in fact ever-present, and strategically revealed to prove their identities. Through examining the heightened chivalric identities of Middle English romance, this paper highlights the ways in which borders permit the imposition of new rules and mores upon a space, and the influence of these conventions in shaping conceptions of personhood, status, and power.

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