Startseite Kunst Emperors, Empresses, and the Law in Carolingian Italy: The Illustrations of Vercelli, Biblioteca Capitolare, MS CLXV
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Emperors, Empresses, and the Law in Carolingian Italy: The Illustrations of Vercelli, Biblioteca Capitolare, MS CLXV

  • Celia Chazelle
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Illuminating a Legacy
Ein Kapitel aus dem Buch Illuminating a Legacy

Abstract

Vercelli, Biblioteca Capitolare, Ms CLXV is a compendium of canon law and related texts that Bernhard Bischoff assigned to northern Italy and dated to the second quarter of the ninth century.1 The artistic feature that makes this manuscript most deserving of study in a Festschrift for Lawrence Nees is its prefatory series of seven fullpage drawings. Three openings depict a Christian Roman Emperor with his ecumenical synod, and Empress Helena is also twice represented. In this essay, I briefly describe the legal collection - a full list of its contents is presented in an Appendix - before focusing on the illustrations. After consideration of their artistic antecedents and analogues, I explore the possibility that the manuscript was intended as a gift for Emperor Lothar I (d. 855) and his wife, Ermengard (d. 851). The illustrations would have served to celebrate Christian imperial authority during a period - the mid-830s - when Lothar faced major challenges to his political position in the Carolingian Empire.

Abstract

Vercelli, Biblioteca Capitolare, Ms CLXV is a compendium of canon law and related texts that Bernhard Bischoff assigned to northern Italy and dated to the second quarter of the ninth century.1 The artistic feature that makes this manuscript most deserving of study in a Festschrift for Lawrence Nees is its prefatory series of seven fullpage drawings. Three openings depict a Christian Roman Emperor with his ecumenical synod, and Empress Helena is also twice represented. In this essay, I briefly describe the legal collection - a full list of its contents is presented in an Appendix - before focusing on the illustrations. After consideration of their artistic antecedents and analogues, I explore the possibility that the manuscript was intended as a gift for Emperor Lothar I (d. 855) and his wife, Ermengard (d. 851). The illustrations would have served to celebrate Christian imperial authority during a period - the mid-830s - when Lothar faced major challenges to his political position in the Carolingian Empire.

Heruntergeladen am 29.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9783111435954-007/html
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