Why Don’t We Go to an Exhibit that Stinks?

Kapitel in diesem Buch

1. Frontmatter I
2. Contents V
3. Acknowledgements VII
4. Material (Dis)connections, Art, and Creative Reuse 1
5. I Historical Cases
6. Chinese Porcelain Remade 23
7. From Automatons to Hairpins 33
8. Laughing at the Past 53
9. Folding, Unfolding, and Refolding 77
10. II Contemporary Positions
11. Re-Make 109
12. Used and Reused 133
13. Regenerating Taiwan’s Cultural Memory 149
14. On the Ground of the Discarded 173
15. Why Don’t We Go to an Exhibit that Stinks? 199
16. III Reflections
17. “High Prices for Recycling” 215
18. A Political Ecology of Reuse 225
19. Authors 235
20. Credits 239