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Fictions in the Real World: Language and Reality in Cicero’s Letters

  • Ruth Morello
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Abstract

This paper explores the contributions of imagery, temporal ambiguity, and intertextuality in creating fictionalising colour in Cicero’s Ad Familiares. An opening study of ‘epistolary’ fictionality in Ovid’s Tristia 4.2 lays groundwork for subsequent discussions of fictionalising scenarios in Cicero’s Ad Fam. 7.1 and Ad Fam. 9.2, of Caelius’s theatrical imagery in his persona as Cicero’s political ‘futurologist’ in Book 8, and finally of the ancient editor’s use of thematic sequences that extend across whole books to amplify the fictionalising qualities of individual letters. The outcome of the creative manipulations of perceived reality in Cicero’s letters is an ambiguous, potentially fictionalising (but not necessarily fictional) space for epistolographical communication. In that space, life itself is represented as a staged performance, in which the most ‘fictional’ material paradoxically expresses the ‘real’ world of the writer himself.

Abstract

This paper explores the contributions of imagery, temporal ambiguity, and intertextuality in creating fictionalising colour in Cicero’s Ad Familiares. An opening study of ‘epistolary’ fictionality in Ovid’s Tristia 4.2 lays groundwork for subsequent discussions of fictionalising scenarios in Cicero’s Ad Fam. 7.1 and Ad Fam. 9.2, of Caelius’s theatrical imagery in his persona as Cicero’s political ‘futurologist’ in Book 8, and finally of the ancient editor’s use of thematic sequences that extend across whole books to amplify the fictionalising qualities of individual letters. The outcome of the creative manipulations of perceived reality in Cicero’s letters is an ambiguous, potentially fictionalising (but not necessarily fictional) space for epistolographical communication. In that space, life itself is represented as a staged performance, in which the most ‘fictional’ material paradoxically expresses the ‘real’ world of the writer himself.

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