Laughing at Death: Blurred Boundaries in Giotto’s Last Judgment
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Anne L. Williams
Abstract
On the west wall of the Arena Chapel in Padua, Giotto’s Last Judgment (ca. 1303-1305) features intriguing details: demons mimic angels and bureaucrats, a cleric bribes his superior, and an old lecher still attempts to buy sex despite his ongoing bodily torture. Traditionally understood as a manifestation of the artist’s personal wit, I propose that these details reveal much more about their patron. Blurring the boundaries between pleasure and fear, they complicate the traditional separation of “profane” humor from sacred themes in fourteenth-century painting.
Abstract
On the west wall of the Arena Chapel in Padua, Giotto’s Last Judgment (ca. 1303-1305) features intriguing details: demons mimic angels and bureaucrats, a cleric bribes his superior, and an old lecher still attempts to buy sex despite his ongoing bodily torture. Traditionally understood as a manifestation of the artist’s personal wit, I propose that these details reveal much more about their patron. Blurring the boundaries between pleasure and fear, they complicate the traditional separation of “profane” humor from sacred themes in fourteenth-century painting.
Chapters in this book
- Frontmatter I
- Acknowledgements V
- Table of Contents VII
- Blurred Boundaries in Pre-Modern Texts and Images: Aspects of Audiences and Readers-Viewers Responses 1
- The Sacred and the Profane in German Courtly Romances and Late Medieval Verse Narratives: With an Emphasis on Ulrich Bonerius and Heinrich Kaufringer 15
- The Poetic and Ideological Blurring of Boundaries in the Jewish Book of Ethics Orḥot Ṣaddiqim 41
- Laughing at Death: Blurred Boundaries in Giotto’s Last Judgment 57
- The Popular in Service of the Sacred: The Sculpted Musicians of Santiago de Compostela 79
- Image and Legend of Saint Margaret as an Aid in Childbirth Rituals 101
- Violent Women and the Blurring of Gender in some Medieval Narratives 125
- On the Heavenly and the Earthly, the Secular as Sacred – A New Reading of Medieval Hebrew Fables 145
- The Secular and the Sacred in a Bifolio from Louis of Laval’s Book of Hours and Its Spiritual Use 165
- Between Psalter and “Mirrors for Princes”: On the Moral and Didactic Messages in BL Cotton MS Domitian A XVII 185
- Visual and Textual Authority: Reading Chevalier in Manuscripts of La Vie des pères 205
- Aspects of Italian and Flemish Identity in Relation to Book Illumination: Reception of Devotional and Antiquarian Ideas through Depictions of Jewelry 229
- List of Illustrations 249
- Notes on Contributors 253
- Index 255
Chapters in this book
- Frontmatter I
- Acknowledgements V
- Table of Contents VII
- Blurred Boundaries in Pre-Modern Texts and Images: Aspects of Audiences and Readers-Viewers Responses 1
- The Sacred and the Profane in German Courtly Romances and Late Medieval Verse Narratives: With an Emphasis on Ulrich Bonerius and Heinrich Kaufringer 15
- The Poetic and Ideological Blurring of Boundaries in the Jewish Book of Ethics Orḥot Ṣaddiqim 41
- Laughing at Death: Blurred Boundaries in Giotto’s Last Judgment 57
- The Popular in Service of the Sacred: The Sculpted Musicians of Santiago de Compostela 79
- Image and Legend of Saint Margaret as an Aid in Childbirth Rituals 101
- Violent Women and the Blurring of Gender in some Medieval Narratives 125
- On the Heavenly and the Earthly, the Secular as Sacred – A New Reading of Medieval Hebrew Fables 145
- The Secular and the Sacred in a Bifolio from Louis of Laval’s Book of Hours and Its Spiritual Use 165
- Between Psalter and “Mirrors for Princes”: On the Moral and Didactic Messages in BL Cotton MS Domitian A XVII 185
- Visual and Textual Authority: Reading Chevalier in Manuscripts of La Vie des pères 205
- Aspects of Italian and Flemish Identity in Relation to Book Illumination: Reception of Devotional and Antiquarian Ideas through Depictions of Jewelry 229
- List of Illustrations 249
- Notes on Contributors 253
- Index 255
