Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film

Startseite Linguistik & Semiotik Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film

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Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film

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"Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film". Point of View in the Cinema, Berlin, New York: De Gruyter Mouton, 1984, pp. 143-167. https://doi.org/10.1515/9783110817591.143

(1984). Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film. In Point of View in the Cinema (pp. 143-167). Berlin, New York: De Gruyter Mouton. https://doi.org/10.1515/9783110817591.143

1984. Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film. Point of View in the Cinema. Berlin, New York: De Gruyter Mouton, pp. 143-167. https://doi.org/10.1515/9783110817591.143

"Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film" In Point of View in the Cinema, 143-167. Berlin, New York: De Gruyter Mouton, 1984. https://doi.org/10.1515/9783110817591.143

Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film. In: Point of View in the Cinema. Berlin, New York: De Gruyter Mouton; 1984. p.143-167. https://doi.org/10.1515/9783110817591.143

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Frontmatter I
Chapter 1 The Problem of Point of View 1
Chapter 2 Film as System 29
Chapter 3 Narration 39
Chapter 4 Subjectivity 73
Chapter 5 The Point-of-view Shot 103
Chapter 6 Character Reflection and Projection 122
Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film 143
Chapter 8 Metatheory 168
Appendix Orthodox Theories of Narration 190
Suggested Further Reading 231
Index 233
Backmatter 269

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https://doi.org/10.1515/9783110817591.143

Kapitel in diesem Buch

Frontmatter I
Chapter 1 The Problem of Point of View 1
Chapter 2 Film as System 29
Chapter 3 Narration 39
Chapter 4 Subjectivity 73
Chapter 5 The Point-of-view Shot 103
Chapter 6 Character Reflection and Projection 122
Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film 143
Chapter 8 Metatheory 168
Appendix Orthodox Theories of Narration 190
Suggested Further Reading 231
Index 233
Backmatter 269

Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film

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