Table of Contents

Kapitel in diesem Buch

1. Frontmatter I
2. Acknowledgements V
3. Table of Contents VII
4. Introduction: “Are We Not Over That?” 1
5. I Ecodramaturgies and Global Crisis
6. Population Concerns, Reproductive Justice, and Gendered Perspectives in Florence Keith-Roach’s Eggs (2015), Vivienne Franzmann’s Bodies (2017) and Maud Dromgoole’s 3 Billion Seconds (2018) 9
7. Sexual and Gender-Based Violence on Female Bodies: Ecofeminism in Lucy Kirkwood’s Maryland (2021) and Ellie Kendrick’s and RashDash’s Hole (2018) 35
8. Lucy Prebble’s Enron (2009): The Financial Crisis as Theatrical Spectacle in the Era of Liquid Modernity 57
9. How To Survive a Crisis: Forming a New Self in Zinnie Harris’s How to Hold Your Breath (2015) 75
10. II The Politics of Intimacy
11. Ella Hickson’s ANNA (2019) and Lucy Kirkwood’s Mosquitoes (2017): Staging the Female Body Electric 91
12. debbie tucker green’s ‘troumatic’ dramaturgy 111
13. “Who Gets to Speak and How?”: Staging Autofiction in Debris Stevenson’s Poet in da Corner (2018) and Ella Hickson’s The Writer (2018) 131
14. III Experimenting with Forms
15. “I Want the World to Change Shape”: Form and Politics in Ella Hickson’s The Writer (2018) 151
16. Challenging Realism: The Confines of Domesticity in Morna Pearson’s Plays 171
17. Alice Birch – A Poet in the Theatre 191
18. Alecky Blythe and “Headphone Verbatim”: a Study of The Girlfriend Experience (2008) 205
19. IV In Conversation with…
20. Feeling a Responsibility to Art: An Interview with Ella Hickson 225
21. The Gordian Knots of Theatre: An Interview with Lucy Kirkwood by Elisabeth Angel-Perez and Aloysia Rousseau 239
22. Notes on Contributors 247
23. Index of playwrights, theatre practitioners and key concepts 251