Frontmatter

Kapitel in diesem Buch

1. Frontmatter I
2. Contents V
3. List of Illustrations VII
4. Introduction: Serial Formats and the Form of the Series, 1850–1930 1
5. I Serial Temporalities
6. Heine’s Serial Histories of the Revolution 23
7. World History in Six Installments: Epistemic Seriality and the Epistemology of Series 55
8. “Nachkommenschaften”: Stifter’s Series 83
9. Le temps retrouvé: Claude Monet’s Series between Impression and Belatedness 115
10. Sequencing Failure: Photodynamism and the Knotting of Time 149
11. II Serial Formats
12. Trying on the Drawing Room: Realness and Truth in and out of Photographs 171
13. The Bachelor: Gottfried Keller’s “Der Landvogt von Greifensee” and Serial Erotics 195
14. Max Klinger’s Ein Handschuh as Cycle and Series 221
15. DIN A: The Basis of All Thought 253
16. Serial Untruth: The Feuilleton and the Ornamental Image 277
17. Contributors 291
18. Index 293