Subject index

Kapitel in diesem Buch

1. Frontmatter I
2. Preface to the anthology Transcending Signs V
3. Contents IX
4. Figure list XV
5. Finnish Baroque of existential semiotics: Eero Tarasti’s musical synthesis of the voluptuous dance of signs 1
6. Above and beneath of existential semiotics? 7
7. Exact sciences and the semiotics of existence 15
8. Voice as transcendence and otherness 35
9. The Transcendental and the Transcendent 47
10. The metaphysical system of existential semiotics 77
11. Being, resistance and post-truth 99
12. From semiotic pragmatism to existential semiotics 119
13. Structural, yet existential 131
14. Prolegomena on the semiotics of silence (from Jankélévitch to Tarasti) 157
15. Myth, music and postmodernity 167
16. XX century philosophical paradigms of Japan and the West: A view from Greimassian perspective 181
17. Thought and consciousness in language as prerequisites for the existential-identity perception of the human self 199
18. Umwelt, Lebenswelt, Dasein & monde vécu – (de)constructing the semiotic cosmology of human existentiality 225
19. Aesthetics and human praxis. Notes on the existential semiotics of Eero Tarasti 249
20. Eero Tarasti, existential semiotics, music, and mind. On the existential and cognitive notions of situation 259
21. Cosmologies of life after Peirce, Heidegger and Darwin 273
22. Existential semiotics, semiosis and emotions 289
23. The Plane of Dasein. Existential Semiotics and the problem of the medium 313
24. Existential universals. Biosemiosis and existential semiosis 327
25. Memories of the body and pre-signity in music: Points of contact between Existential Semiotics and Globality of Languages 343
26. The existential question between musical and linguistic signification 353
27. Growth and entropy in semiosis: Signs coming full circle 373
28. Creativity in existential semiotics and psychoanalysis 389
29. Ethnomethodological, symbolic interactionist, semiotic and existential micro-foundations of research on institutions 405
30. “Disturbing quiet people” – on the hyper-bureaucratization and corporatization of universities 429
31. The modes of being inside (or outside) the value fragment: The application of Tarasti’s theory of subject, transcendence and modalities of self to the consumer research 459
32. Existential semiotics and sociology of music 481
33. Destruction of cultural heritages: The case of Jerusalem in the Light of Jeremiah’s prophecies 491
34. From identity to transcendence: A semiotic approach to the survival of the Carolingian cycle in the Brazilian cultural heritage 501
35. Saudade: A semiotic study of the cultural episteme of Brazilian existence 521
36. Semiolinguistic look on mythology, cultural history and meanings of places in Azerbaijan 539
37. Ludo Ergo Sum: Play, existentialism and the ludification of culture 567
38. Uncertain signifiers: ‘An Affective Phantasy’ in Jacopo Pontormo’s Joseph in Egypt 579
39. Existential being of an artist 599
40. An essay on the Persian calligraphy in the light of the theory of existential semiotics by Eero Tarasti 607
41. Transcending violence: Artistic interpretations of the myths of Kullervo from the Kalevala to Tero Saarinen 623
42. Existential soundtracks: Analysing semiotic meanings in minimalist and post-minimal music 659
43. Existential choices of existential signs. Love stories, structuralism, and existential semiotics 685
44. Exploration on the construction of existential semiotic theory of film criticism 699
45. The transcendent arithmetic of Jesus: An exercise in semiotic reading 711
46. Descriptions of death in the Book of Job 725
47. Memory in Eero Tarasti’s novel Europe/ Perhaps 741
48. Varieties of masculine subjectivity in the Finnish modern literature according to Eero Tarasti’s Zemic-model 757
49. H.P. Lovecraft’s subjectivity: an existential semiotic perspective 773
50. Structure and meaning in music. A dialogue with Greimas 801
51. Existential semiotics and musical hermeneutics: On musical sense advention 819
52. Lohengrin by Wagner. Existential narrative-analysis of the Prelude to act I 847
53. The emergence of individual subjects in Western music 863
54. Existential semiotics and correla(c)tivity of (non-conventional) music (Personal retrospection) 883
55. When a few Me-Tones meet: Beethoven à la russe 897
56. In the quest of compositional matrices for music themes concerning landscape: Exploring senses as a means for creative processes. Villa-Lobos and his existential signs 919
57. Musical arrangement and literary translation as signs: Preserving and renewing cultural heritages 941
58. Gustav Mahler’s Wunderhorn orchestral songs: A topical analysis and a semiotic square 957
59. Beyond the signs: Art and an artist’s life in Hector Berlioz’s Opus 14 983
60. The singing body in a zemic approach: The case of Miguel Garrido 999
61. Notes on contributors 1021
62. Person index 1039
63. Subject index 1049