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Goethe and Hegel: Faust and the Phenomenology of Spirit

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Art, Nature, and Self-Formation in the Age of Goethe
Ein Kapitel aus dem Buch Art, Nature, and Self-Formation in the Age of Goethe

Abstract

Goethe and Hegel knew each other well from 1803 until the end of their lives in 1831/32. As is known, Hegel’s Phenomenology of Spirit (1807) contains a section that implicitly responds to Goethe’s Faust. The present article analyzes this response and then uses it as a springboard for a broader investigation of the philosophical relationship between Goethe and Hegel, including a hitherto overlooked critical reply by Goethe to Hegel in Faust II.

Abstract

Goethe and Hegel knew each other well from 1803 until the end of their lives in 1831/32. As is known, Hegel’s Phenomenology of Spirit (1807) contains a section that implicitly responds to Goethe’s Faust. The present article analyzes this response and then uses it as a springboard for a broader investigation of the philosophical relationship between Goethe and Hegel, including a hitherto overlooked critical reply by Goethe to Hegel in Faust II.

Kapitel in diesem Buch

  1. Frontmatter I
  2. Contents V
  3. Abbreviations VII
  4. Introduction 1
  5. Part I: Goethe, Faust, and the Power of Tragedy
  6. Goethe on Tragedy 11
  7. Philosophy of Tragedy: Schiller and Hölderlin 37
  8. Goethe and Hegel: Faust and the Phenomenology of Spirit 63
  9. Part II: Art, Meaning, and Aesthetic Formation
  10. Artworks as Organic Wholes: A Goethean and Hegelian Concept of Art 85
  11. Transparency and Enigma in the Age of Goethe 115
  12. Sentimental Symbolism in Goethe’s “Alexis und Dora” 139
  13. Part III: Nature and the Divine
  14. Beautiful Creatures: Schiller and Goethe on Animal Freedom 165
  15. Goethe’s Demonic Idealism and Elective Affinities 181
  16. The Problem of God in Goethe’s Gott und Welt 197
  17. Part IV: Imagination, Memory, and Becoming in the Age of Goethe
  18. Intuition and Comprehension: Productive Imagination in Fichte and Goethe 225
  19. Experiments in Becoming 245
  20. Rhythms of Memory: The Mnemosyne Palimpsest 269
  21. Contributors 293
  22. Index 297
https://doi.org/10.1515/9783110751383-005

Kapitel in diesem Buch

  1. Frontmatter I
  2. Contents V
  3. Abbreviations VII
  4. Introduction 1
  5. Part I: Goethe, Faust, and the Power of Tragedy
  6. Goethe on Tragedy 11
  7. Philosophy of Tragedy: Schiller and Hölderlin 37
  8. Goethe and Hegel: Faust and the Phenomenology of Spirit 63
  9. Part II: Art, Meaning, and Aesthetic Formation
  10. Artworks as Organic Wholes: A Goethean and Hegelian Concept of Art 85
  11. Transparency and Enigma in the Age of Goethe 115
  12. Sentimental Symbolism in Goethe’s “Alexis und Dora” 139
  13. Part III: Nature and the Divine
  14. Beautiful Creatures: Schiller and Goethe on Animal Freedom 165
  15. Goethe’s Demonic Idealism and Elective Affinities 181
  16. The Problem of God in Goethe’s Gott und Welt 197
  17. Part IV: Imagination, Memory, and Becoming in the Age of Goethe
  18. Intuition and Comprehension: Productive Imagination in Fichte and Goethe 225
  19. Experiments in Becoming 245
  20. Rhythms of Memory: The Mnemosyne Palimpsest 269
  21. Contributors 293
  22. Index 297
Heruntergeladen am 3.5.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9783110751383-005/html?lang=de
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