5 Drone Imaginaries
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Kathrin Maurer
Abstract
Drone art is art that negotiates, represents, and experiments with drone technology. Many artists use amateur drones for aesthetic production and creatively make use of the sensorial possibilities of the drone. The focus of this entry is on military drone art and it shows how drone art engages with the visual scopic regimes of military drones and how those configure violence as a form of man hunting. For the French philosopher Grégoire Chamayou man hunting embodies a type of cynegetic (hunting related) violence, which military drones can execute by the power surveillance. Research often focuses on the political, legal, anthropological, and ethical aspects of this type of violence; the aspects of its visual framing are often underexposed. In order to change this shortcoming, this entry draws attention to the medial aspects of this violence by investigating the drone’s scopic regime. The scopic regime refers to the drone’s visual configuration, i.e. its ocular operations of capture, its optical perspective on the target, the visual sensing of the drone pilot, as well as the target’s range of vision. Excursions to the works of contemporary visual artists will be conducted in order to illustrate aesthetic interventions against the drone’s visual superpower.
Abstract
Drone art is art that negotiates, represents, and experiments with drone technology. Many artists use amateur drones for aesthetic production and creatively make use of the sensorial possibilities of the drone. The focus of this entry is on military drone art and it shows how drone art engages with the visual scopic regimes of military drones and how those configure violence as a form of man hunting. For the French philosopher Grégoire Chamayou man hunting embodies a type of cynegetic (hunting related) violence, which military drones can execute by the power surveillance. Research often focuses on the political, legal, anthropological, and ethical aspects of this type of violence; the aspects of its visual framing are often underexposed. In order to change this shortcoming, this entry draws attention to the medial aspects of this violence by investigating the drone’s scopic regime. The scopic regime refers to the drone’s visual configuration, i.e. its ocular operations of capture, its optical perspective on the target, the visual sensing of the drone pilot, as well as the target’s range of vision. Excursions to the works of contemporary visual artists will be conducted in order to illustrate aesthetic interventions against the drone’s visual superpower.
Chapters in this book
- Frontmatter I
- Contents V
- 1 Introduction: Why Study Drones? 1
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Part 1: Approaches to the Study of Drone Warfare
- 2 What Is Drone Warfare? 9
- 3 Defining Drones 25
- 4 Drones and International Law 41
- 5 Drone Imaginaries 57
- 6 A Gendering of Drones 69
- 7 Critiquing Drone Warfare 87
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Part 2: The First Drone Age
- 8 What Is ‘The First Drone Age’? 107
- 9 Drone Pilots: The Struggles of War by Remote Control 111
- 10 The Post-9/11 Era: Drones and Just War Theory 125
- 11 The CIA Drone Program 141
- 12 Drones and Civilian Harm 159
- 13 Drone Warfare and Public Opinion 177
- 14 Living Under Drones 197
- 15 The Media and Drone Warfare 215
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Part 3: The Second Drone Age
- 16 What is ‘The Second Drone Age’? 237
- 17 The Islamic State Drone Program 243
- 18 The Use of Drones in West Africa and the Sahel 255
- 19 China’s Drone Diplomacy 267
- 20 Russian Military Drones: Established and Emerging Technologies in Ukraine 285
- 21 Europe’s Military Drone Problem 299
- 22 Violent Nonstate Exploitation of Commercial Drones 313
- 23 Game-Changing Drones? The Record from Libya to Ukraine 325
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Part 4: A Third Drone Age? Concerns and Visions for the Future
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Concerns
- 24 Domestic Drones and Domestic Threat: Urban Life in the Drone Age 343
- 25 Autonomous Drones 369
- 26 Swarming Drones 385
- 27 Countering Unmanned Aircraft Systems 399
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Visions
- 28 The Diffusion of Drone Warfare – A Ten Year Review 421
- 29 Drones: A Unique Danger to International Law 437
- 30 Drone Proliferation and IR Theory: Visions for the Future 453
- Contributors to this Volume 475
- Index 485
Chapters in this book
- Frontmatter I
- Contents V
- 1 Introduction: Why Study Drones? 1
-
Part 1: Approaches to the Study of Drone Warfare
- 2 What Is Drone Warfare? 9
- 3 Defining Drones 25
- 4 Drones and International Law 41
- 5 Drone Imaginaries 57
- 6 A Gendering of Drones 69
- 7 Critiquing Drone Warfare 87
-
Part 2: The First Drone Age
- 8 What Is ‘The First Drone Age’? 107
- 9 Drone Pilots: The Struggles of War by Remote Control 111
- 10 The Post-9/11 Era: Drones and Just War Theory 125
- 11 The CIA Drone Program 141
- 12 Drones and Civilian Harm 159
- 13 Drone Warfare and Public Opinion 177
- 14 Living Under Drones 197
- 15 The Media and Drone Warfare 215
-
Part 3: The Second Drone Age
- 16 What is ‘The Second Drone Age’? 237
- 17 The Islamic State Drone Program 243
- 18 The Use of Drones in West Africa and the Sahel 255
- 19 China’s Drone Diplomacy 267
- 20 Russian Military Drones: Established and Emerging Technologies in Ukraine 285
- 21 Europe’s Military Drone Problem 299
- 22 Violent Nonstate Exploitation of Commercial Drones 313
- 23 Game-Changing Drones? The Record from Libya to Ukraine 325
-
Part 4: A Third Drone Age? Concerns and Visions for the Future
-
Concerns
- 24 Domestic Drones and Domestic Threat: Urban Life in the Drone Age 343
- 25 Autonomous Drones 369
- 26 Swarming Drones 385
- 27 Countering Unmanned Aircraft Systems 399
-
Visions
- 28 The Diffusion of Drone Warfare – A Ten Year Review 421
- 29 Drones: A Unique Danger to International Law 437
- 30 Drone Proliferation and IR Theory: Visions for the Future 453
- Contributors to this Volume 475
- Index 485
