Archive Report: The Archiv der Avantgarden (AdA) in Dresden

Kapitel in diesem Buch

1. Frontmatter I
2. Contents V
3. Editorial IX
4. Section 1: Futurism Studies
5. The Futurist Manifestos of 1909: Dates and Editions Reconsidered 3
6. Margherita Sarfatti, Novecento and Futurism 35
7. Network Diagrams in Futurist and other Avant-garde Magazines: The Creation and Self-Positioning of an Imaginary Community 68
8. The Reception of Italian Futurism in Vienna during the 1920s and 1930s 95
9. Carlos Porfírio and Futurism in the Algarve: An Early Chapter in the History of Portuguese Modernism 120
10. Tullio d’Albisola between Futurism and Fascism 149
11. The Georgian Avant-garde: Futurism and More 172
12. Futurism and the Birth of Modern Typography 200
13. Tato and Exhibitions of Futurist Photography in the 1930s 216
14. In Search of Lost Scents: The Olfactory Dimension of Italian Futurism 247
15. Satirizing Futurism in France: Roland Dorgelès, André Warnod and their Circle 276
16. Section 2: Caricatures and Satires of Futurism in the Contemporary Press
17. At a Sándor Bortnyik Exhibition in Budapest (June 1919): A Hungarian Critic’s Interpretation of ‘Futurism’ 309
18. Ragnvald Blix’s Caricature of Futurist Painting in the Midst of WWI 315
19. French Humour and Futurist Music: Luigi Russolo’s intonarumori in a Cartoon by Jean-Jacques Roussau 319
20. Caricatures of Futurism in Il travaso delle idee 324
21. Macaronetti, Marie Netti, and the Like: Parodies of Futurism at the Great Zwans Exhibition in Brussels (1914) 328
22. Returning to the Futurist Fold: A Caricature in Bloodless Murder Magazine (1916) 332
23. Marinetti Viewed by Antonio Teixeira Cabral, a Portuguese “Caricature-on-the-scene reporter” 336
24. Section 3: Archive Report
25. Archive Report: The Archiv der Avantgarden (AdA) in Dresden 341
26. Section 4: Reviews
27. A New Study on Italian Futurism and the Machine 359
28. New Research into Marinetti’s Notebooks 368
29. Evola’s Path from Futurism to Dada and Beyond 379
30. Valentine de Saint-Point: Between Carnality and Ideism, Between East and West 383
31. Contours and Borders of International Futurism 392
32. Růžena Zátková’s Life and Works Elucidated in a New Study 397
33. Ukrainian Modernism between Futurism and Constructivism, between Russia and the West 404
34. Section 5: Bibliography
35. A Bibliography of Publications on Futurism, 2017–2020 411
36. Section 6: Back Matter
37. List of Illustrations and Provenance Descriptions 431
38. Notes on Contributors 439
39. Name Index 449
40. Subject Index 481
41. Geographical Index 511