Windows on the World: The Literary Revolutions of Adam King’s Genethliacon Iesu Christi

Kapitel in diesem Buch

1. Frontmatter I
2. Contents V
3. Acknowledgements VII
4. List of Figures IX
5. List of Tables XI
6. Bibliographical Note XIII
7. Introduction: Seeing Through Texts 1
8. Serial Similes in the Battle-Narrative of Virgil’s Aeneid 27
9. The Constant Helmsman: Acoetes, Palinurus, and the Homeric Hymn to Dionysus 39
10. Fisher of Men: A New Reading of Ausonius’ Catalogue of Fish 53
11. The Works of the Sea: Mapping the Itineraries of Imitation in Late Antique Epic 77
12. Transgressing Pastoral: Mediated Responses to Aeneid 6 in Calpurnius, Nemesianus, and the Carmina Einsiedlensia 95
13. Window Reference in Latin Bucolic: The Case of Martius Valerius 121
14. The Chain of Imitations in Petrarch’s Africa 139
15. Multiple Allusivity in Girolamo Vida’s De Arte Poetica 153
16. Virgo laetissima: The Art of Allusion in Sannazaro’s De partu Virginis 173
17. Windows on the World: The Literary Revolutions of Adam King’s Genethliacon Iesu Christi 189
18. Imitation and Allusion in Machiavelli’s Istorie fiorentine: Between Contemporary Sources and Classical Models 205
19. ‘Un traict à la comparaison de ces couples’: Seneca’s Poets and Epicurean Senecanisms in Montaigne’s Essais 223
20. Reading through the Sound of Trumpets: Camões’s Political Opinions and the Pattern of Allusion in Os Lusíadas 243
21. Allusion and Horror: The Afterlives of Polydorus 257
22. ‘An huge great stone’: Two Types of Allusion in The Faerie Queene 277
23. What’s in a Blush? Constellating Aeneid 12.64–9 and Amores 2.5.33–40 in Spenser’s Legend of Chastity 287
24. Editors’ Afterword on Window Reference 303
25. Window on the Eighties 307
26. Works Cited 311
27. Notes on Contributors 341
28. Name Index 345