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    Historicism’s Forms: The Aesthetics of Critique
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        Walter Benn Michaels
        
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- What Is Poetic Critique? 1
- Why Adding ‘Poetic’ to ‘Critique’ Adds Nothing to Critique 7
- Schlegel’s Words, Rightly Used 19
- Storytelling and Forgetfulness 35
- Poetry, Critique, Imitation 45
- “Echo Reconciles” 57
- On Not Forcing the Question: Criticism and Playing Along 65
- La Chambre Poétique 79
- The Silence of the Concepts (in Meillassoux’s After Finitude and Gottlob Frege) 105
- Theater as Critical Praxis: Interruption and Citability 125
- Historicism’s Forms: The Aesthetics of Critique 145
- Poetic Criticism and the Work of Fiction: Goethe, Joyce, and Coetzee 155
- Surface, Distance, Depth: The Text and its Outside 175
- Contributors 203
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- What Is Poetic Critique? 1
- Why Adding ‘Poetic’ to ‘Critique’ Adds Nothing to Critique 7
- Schlegel’s Words, Rightly Used 19
- Storytelling and Forgetfulness 35
- Poetry, Critique, Imitation 45
- “Echo Reconciles” 57
- On Not Forcing the Question: Criticism and Playing Along 65
- La Chambre Poétique 79
- The Silence of the Concepts (in Meillassoux’s After Finitude and Gottlob Frege) 105
- Theater as Critical Praxis: Interruption and Citability 125
- Historicism’s Forms: The Aesthetics of Critique 145
- Poetic Criticism and the Work of Fiction: Goethe, Joyce, and Coetzee 155
- Surface, Distance, Depth: The Text and its Outside 175
- Contributors 203