Introduction

Kapitel in diesem Buch

1. Frontmatter I
2. Acknowledgments V
3. Contents VII
4. Contributors IX
5. Abbreviations XI
6. Introduction 1
7. The Master of the Bern Psychomachia: Reconstructing an Artistic Personality in the Late Ninth Century 17
8. Creative Borrowing in a Leiden Terence (UB, MS VLQ 38) 57
9. Imaging and Imagining Solidity 86
10. Imaging Time, Computation and Astronomy: A Computus Collection from Micy-Saint-Mesmin (Vatican, BAV, MS Reg. lat. 1263) and Early Eleventh-Century Illumination in the Loire Region 118
11. Creativity at the End(s) of an Empire: Biblical Compilation and Illustration at the Monastery of Ripoll 161
12. Working and Reworking the Book: The Saint-Vaast Gospels and Its Manuscript Context 183
13. Shaping Tradition: The Use of the Carolingian Past in a Tenth-Century Manuscript at the Morgan Library (PML, MS M.319) 213
14. From Gold Script to sermo rusticus: Book Illumination in Northern Italy at the Turn of the Millennium, the Case of Milan and Ivrea 245
15. With Pen and Knife: Illuminating Blindness in a Forgotten Sacramentary 273
16. Ovid at the Crossroads: Illustrations of the Metamorphoses in Apulia Before 1071 302
17. Avianus and the Apocalypse in Paris, BnF, Ms. n.a.l. 1132 336
18. Embodied Time, Narrative, and Performance in the Prüm Troper 375
19. In Between, Center, and Periphery: The Art of Illumination on the Early Medieval Iberian Peninsula 400
20. Apollonius pictus Reevaluated: Kurt Weitzmann’s Legacy and the Multilayered Historicity of Medieval Manuscripts 433
21. Select Bibliography 458
22. Index of Manuscripts 470
23. Index of Places 477
24. Index of Names 479