Migrating Histories of Art
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Edited by:
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About this book
Art historians have been facing the challenge – even from before the advent of globalization – of writing for an international audience and translating their own work into a foreign language – whether forced by exile, voluntary migration, or simply in order to reach wider audiences.
Migrating Histories of Art aims to study the biographical and academic impact of these self-translations, and how the adoption and processing of foreign-language texts and their corresponding methodologies have been fundamental to the disciplinary discourse of art history. While often creating distinctly "multifaceted" personal biographies and establishing an international disciplinary discourse, self-translation also fosters the creation of instances of linguistic and methodological hegemony.
Author / Editor information
Topics
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Frontmatter
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Table of Contents
5 -
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Lost in Translation
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Self-Translation – Translation of the Self
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Self-Translation and Its Discontents
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Feminine Inscriptions in the Morellian Method
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Aby Warburg’s Literal and Intermedial Self-Translation
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Edgar Wind’s Self-Translations
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American Panofsky
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Frederick Antal or a Connoisseur Turned Social Historian of Art
99 -
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Strangers in a Foreign Language
111 -
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‘Always living in a foreign tongue ...’
125 -
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Translating Art History, Transmitting Humanitas
135 -
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Seductive Foreignness
149 -
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Identity, Voice and Translation in the Life and Work of Leon Vilaincour
165 -
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Notes
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Index
225 -
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Picture Credits
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Acknowledgments
231 -
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A note on the cover illustration
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