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Introduction: Perfect Harmony and Melting Strains: Transformations of Music in Early Modern Culture Between Sensibility and Abstraction
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Cornelia Wilde
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Kapitel in diesem Buch
- Frontmatter I
- Contents V
- Introduction: Perfect Harmony and Melting Strains: Transformations of Music in Early Modern Culture Between Sensibility and Abstraction 1
- Disharmonic Spheres: Metapoetic Noise in Geoffrey Chaucer’s Parliament of Fowls 11
- In Search of the Word: Speech-like Chants and Confessional Identity in Counter-Reformation Mission to England 39
- Patrizi’s and Mersenne’s Critiques of Ficino’s Interpretation of the Harmony of the Spheres 59
- Divine Harmony, Demonic Afflictions, and Bodily Humours: Two Tales of Musical Healing in Early Modern England 81
- The Powers and Effects of Music: English Theories from the Renaissance to the Enlightenment 101
- »Cecilia’s Name does all our Numbers grace«: Musico-poetics in Joseph Addison’s St Cecilia’s Day Odes 125
- Index of Names 155
Kapitel in diesem Buch
- Frontmatter I
- Contents V
- Introduction: Perfect Harmony and Melting Strains: Transformations of Music in Early Modern Culture Between Sensibility and Abstraction 1
- Disharmonic Spheres: Metapoetic Noise in Geoffrey Chaucer’s Parliament of Fowls 11
- In Search of the Word: Speech-like Chants and Confessional Identity in Counter-Reformation Mission to England 39
- Patrizi’s and Mersenne’s Critiques of Ficino’s Interpretation of the Harmony of the Spheres 59
- Divine Harmony, Demonic Afflictions, and Bodily Humours: Two Tales of Musical Healing in Early Modern England 81
- The Powers and Effects of Music: English Theories from the Renaissance to the Enlightenment 101
- »Cecilia’s Name does all our Numbers grace«: Musico-poetics in Joseph Addison’s St Cecilia’s Day Odes 125
- Index of Names 155