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3. Experience, Interaction, and Play in Julio Cortázar’s Hopscotch
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Kapitel in diesem Buch
- Frontmatter i
- Acknowledgments ix
- Contents xi
- 0. Introduction 1
-
Part I: Notes for a Theory of Experientiality
- 1. Not So Easy: Representation, Experience, Expression 29
- 2. The Existential Burn: Storytelling and the Background 45
- 3. Experience, Interaction, and Play in Julio Cortázar’s Hopscotch 72
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Part II: From Experiential Traces to Fictional Consciousnesses
- 4. Blind Reading: Bodily and Perceptual Responses to Narrative 93
- 5. Fictional Consciousnesses: From Attribution to Enactment 110
- 6. Fictional Consciousnesses: Self-Narratives and Intersubjectivity 133
-
Part III: Embodied Engagements and Their Effects
- 7. Embodiment, Virtuality, and Meaning in Readers’ Reconstruction of Narrative Space 155
- 8. Mental Myopia: Narrative Patterns and Experiential Texture in Vladimir Nabokov’s The Defense 181
- 9. Conclusion: Where to Go from Here? 206
- Works Cited 209
- Index 227
Kapitel in diesem Buch
- Frontmatter i
- Acknowledgments ix
- Contents xi
- 0. Introduction 1
-
Part I: Notes for a Theory of Experientiality
- 1. Not So Easy: Representation, Experience, Expression 29
- 2. The Existential Burn: Storytelling and the Background 45
- 3. Experience, Interaction, and Play in Julio Cortázar’s Hopscotch 72
-
Part II: From Experiential Traces to Fictional Consciousnesses
- 4. Blind Reading: Bodily and Perceptual Responses to Narrative 93
- 5. Fictional Consciousnesses: From Attribution to Enactment 110
- 6. Fictional Consciousnesses: Self-Narratives and Intersubjectivity 133
-
Part III: Embodied Engagements and Their Effects
- 7. Embodiment, Virtuality, and Meaning in Readers’ Reconstruction of Narrative Space 155
- 8. Mental Myopia: Narrative Patterns and Experiential Texture in Vladimir Nabokov’s The Defense 181
- 9. Conclusion: Where to Go from Here? 206
- Works Cited 209
- Index 227