When El Greco (Re)Became Theotocopoulos: Policies and Political Discourse of the National Gallery of Athens

Kapitel in diesem Buch

1. Frontmatter I
2. Contents V
3. Images of the Art Museum. Connecting Gaze and Discourse in the History of Museology: An Introduction 1
4. Museum Icons, Iconic Museums: (De-)Constructing the Body of Art
5. The Art of Civilization: Museum Enemies in the Nineteenth Century 31
6. Stefano Bardini and the Taxonomic Branding of Marketplace Style: From the Gallery of a Dealer to the Institutional Canon 41
7. The Museum Exhibited: documenta and the Museum Fridericianum1 65
8. Word and Image, Institution and Audience
9. Museums in Print: The Interplay of Texts and Images in the Journal Museumskunde 93
10. Creating the Idea of the Museum through the Pages of the Journal Mouseion 111
11. The Visible and Invisible: Circulating Images of the Barnes Foundation Collection 133
12. Double Reflections: Art Museums and the Image of the Beholder 155
13. Politics of the “Museal Complex”
14. From a Colonial Approach to National Branding: The Evolution of the Concept of the Art Museum in Georgia 173
15. Classical Impressions, Modernist Aspirations: Shaping a Field of Contention at the South African National Gallery (1895–1947) 191
16. Imaginaries of the Art Museum: Banaras and Aundh in Colonial India 215
17. When El Greco (Re)Became Theotocopoulos: Policies and Political Discourse of the National Gallery of Athens 239
18. Building Flagships: Regionalism, Place Branding, and Architecture as Image in the Gallery of Modern Art, Brisbane 261
19. Intermedialities, Shifting Images
20. Scottie Sees Beauty: Representations of the Museum in Classic Cinema 289
21. The Museum in Print: André Malraux’s Musée Imaginaire and André Vigneau’s Photographic Encyclopaedia of Art 301
22. The Museum Goes Collaborative: On the Digital Escapades of an Analogue Medium 317
23. Museum as Textum: Orhan Pamuk’s Museum of Innocence 333
24. Authors 353
25. Picture Credits 359
26. Plates 363