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The parrhesia of young female choruses in Ancient Greece
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Kapitel in diesem Buch
- Frontmatter I
- Foreword V
- Table of Contents VII
- Introduction 1
- Reflections of choral song in early hexameter poetry 15
- Alcman's first Partheneion and the song the Sirens sang 33
- Cyberchorus: Pindar’s Κηληδόνες and the aura of the artificial 67
- Enunciative fiction and poetic performance. Choral voices in Bacchylides’ Epinicians 115
- Eros and praise in early Greek lyric 139
- The parrhesia of young female choruses in Ancient Greece 161
- A second look at the poetics of re-enactment in Ode 13 of Bacchylides 173
- The Ceians and their choral lyric: Athenian, epichoric and pan-Hellenic perspectives 207
- Song, politics, and cultural memory: Pindar’s Pythian 7 and the Alcmaeonid temple of Apollo 235
- Epinician choregia: funding a Pindaric chorus 269
- Pindar and the Aeginetan patrai: Pindar’s intersecting audiences 311
- Olympians 1–3: A song cycle? 337
- The dissemination of Pindar’s non-epinician choral lyric 347
- Choral self-awareness: on the introductory anapaests of Aeschylus’ Supplices 365
- Epinician and tragic worlds: the case of Sophocles’ Trachiniae 391
- Alcman at the end of Aristophanes’ Lysistrata: ritual interchorality 415
- Alcman: from Laconia to Alexandria 437
- Bibliography 461
- List of Contributors 499
- Index of proper names and subjects 503
- Index locorum 543
Kapitel in diesem Buch
- Frontmatter I
- Foreword V
- Table of Contents VII
- Introduction 1
- Reflections of choral song in early hexameter poetry 15
- Alcman's first Partheneion and the song the Sirens sang 33
- Cyberchorus: Pindar’s Κηληδόνες and the aura of the artificial 67
- Enunciative fiction and poetic performance. Choral voices in Bacchylides’ Epinicians 115
- Eros and praise in early Greek lyric 139
- The parrhesia of young female choruses in Ancient Greece 161
- A second look at the poetics of re-enactment in Ode 13 of Bacchylides 173
- The Ceians and their choral lyric: Athenian, epichoric and pan-Hellenic perspectives 207
- Song, politics, and cultural memory: Pindar’s Pythian 7 and the Alcmaeonid temple of Apollo 235
- Epinician choregia: funding a Pindaric chorus 269
- Pindar and the Aeginetan patrai: Pindar’s intersecting audiences 311
- Olympians 1–3: A song cycle? 337
- The dissemination of Pindar’s non-epinician choral lyric 347
- Choral self-awareness: on the introductory anapaests of Aeschylus’ Supplices 365
- Epinician and tragic worlds: the case of Sophocles’ Trachiniae 391
- Alcman at the end of Aristophanes’ Lysistrata: ritual interchorality 415
- Alcman: from Laconia to Alexandria 437
- Bibliography 461
- List of Contributors 499
- Index of proper names and subjects 503
- Index locorum 543