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3 Composition and Decomposition: Analytical Studies and Popularizations of the Veda - Rationality and Aesthetics of Post-Vedic Literatures and Performing Arts
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Kapitel in diesem Buch
- Frontmatter I
- Foreword V
- Table of Contents XV
-
I. Methodology
- 1 Hinduism as a Culture of Sound 1
-
II. History
- 2 The Veda as a Basic Paradigm for Sacred Language and Sacred Sound 331
- 3 Composition and Decomposition: Analytical Studies and Popularizations of the Veda - Rationality and Aesthetics of Post-Vedic Literatures and Performing Arts 457
- 4 Pluralism and the Search for Orientation: De-Sacralization and Re-Sacralization of Language in Poetics, Linguistics, and Metaphysics 525
- 5 Performance and Sensuality: The Sound Universes of Tantra and Devotionalism 664
- 6 Sensory Substance: Nada-Brahman in East and West 809
- 7 Appendix: Music CD - Accompanying Text 1042
- Primary Sources 1051
- Secondary Sources 1061
- Index 1097
Kapitel in diesem Buch
- Frontmatter I
- Foreword V
- Table of Contents XV
-
I. Methodology
- 1 Hinduism as a Culture of Sound 1
-
II. History
- 2 The Veda as a Basic Paradigm for Sacred Language and Sacred Sound 331
- 3 Composition and Decomposition: Analytical Studies and Popularizations of the Veda - Rationality and Aesthetics of Post-Vedic Literatures and Performing Arts 457
- 4 Pluralism and the Search for Orientation: De-Sacralization and Re-Sacralization of Language in Poetics, Linguistics, and Metaphysics 525
- 5 Performance and Sensuality: The Sound Universes of Tantra and Devotionalism 664
- 6 Sensory Substance: Nada-Brahman in East and West 809
- 7 Appendix: Music CD - Accompanying Text 1042
- Primary Sources 1051
- Secondary Sources 1061
- Index 1097